{"title":"March 2026 New Releases","description":"","products":[{"product_id":"mdou-moctar-ilana-lp","title":"Mdou Moctar - Ilana (The Creator) LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/13\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**New press!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlistering and hypnotic, 'Ilana (The Creator)' (2019) marked the beginning of a new chapter for Mdou Moctar. It is the Nigerien guitar hero’s first album recorded with a live rock band and perfectly captures the heavy, psychedelic sound – part Tuareg desert blues, part ZZ Top – that the quartet had honed through endless touring and which would come to explosive fruition on 'Afrique Victime' (2021) and 'Funeral For Justice' (2024). 'Ilana' was the first step and its songs remain setlist standbys for the quartet’s soaring performances.\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":20884319502398,"sku":null,"price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/3625477.jpg?v=1567781457"},{"product_id":"death-cab-for-cutie-something-about-airplanes-lp","title":"Death Cab for Cutie - Something About Airplanes LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/13\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**New Press!!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBarsuk Records is pleased to release Death Cab for Cutie's beloved debut LP Something About Airplanes on attractively-priced standard weight vinyl. This black vinyl pressing is packaged with the original spot-color printed die-cut jacket design, with a new boat-and-water-ripples lyrics insert.\u003c\/span\u003e\u003c\/p\u003e","brand":"Barsuk Records","offers":[{"title":"Default Title","offer_id":23983554920510,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/200840.jpg?v=1568434591"},{"product_id":"queen-queen-ii-lp","title":"Queen - Queen II LP","description":"\u003cp\u003e\u003cspan\u003eQueen II is the second studio album from the iconic British rock band. Originally released in 1974, it reached #5 on the U.K. albums chart and includes fan favorites like, “Nevermore” and “Seven Seas of Rhye.” This reissue is pressed on 180-gram vinyl and features a 2026 mix of the album sourced from the original master tapes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hollywood Records","offers":[{"title":"Default Title","offer_id":31539789398078,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/1427773.jpg?v=1580484839"},{"product_id":"devo-q-are-we-not-men-a-we-are-devo-lp","title":"Devo - Q: Are We Not Men? A: We Are Devo! LP","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**New High Fidelity Press!!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e180 Gram Vinyl \/ Cut From The Original Analog Masters\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/brian-eno-mn0000617196\"\u003eBrian Eno\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca class=\"album-link\" href=\"https:\/\/www.allmusic.com\/album\/q-are-we-not-men-a-we-are-devo%21-mw0000195665\"\u003eQ: Are We Not Men? A: We Are Devo!\u003c\/a\u003e\u003cspan\u003e was a seminal touchstone in the development of American new wave. It was one of the first pop albums to use synthesizers as an important textural element, and although they mostly play a supporting role in this guitar-driven set, the innovation began to lay the groundwork for the synth-pop explosion that would follow very shortly. \u003c\/span\u003e\u003ca class=\"album-link\" href=\"https:\/\/www.allmusic.com\/album\/q-are-we-not-men-mw0000195665\"\u003eQ: Are We Not Men\u003c\/a\u003e\u003cspan\u003e also revived the absurdist social satire of \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/the-mothers-of-invention-mn0000405522\"\u003ethe Mothers of Invention\u003c\/a\u003e\u003cspan\u003e, claiming punk rock's outsider alienation as a home for freaks and geeks. While \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/devo-mn0000249973\"\u003eDevo\u003c\/a\u003e\u003cspan\u003e's appeal was certainly broader, their sound was tailored well enough to that sensibility that it still resonates with a rabid cult following. It isn't just the dadaist pseudo-intellectual theories, or the critique of the American mindset as unthinkingly, submissively conformist. It was the way their music reflected that view, crafted to be as mechanical and robotic as their targets. Yet \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/devo-mn0000249973\"\u003eDevo\u003c\/a\u003e\u003cspan\u003e hardly sounded like a machine that ran smoothly. There was an almost unbearable tension in the speed of their jerky, jumpy rhythms, outstripping \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/talking-heads-mn0000131650\"\u003eTalking Heads\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/xtc-mn0000678339\"\u003eXTC\u003c\/a\u003e\u003cspan\u003e, and other similarly nervy new wavers. And thanks to all the dissonant, angular melodies, odd-numbered time signatures, and yelping, sing-song vocals, the tension never finds release, which is key to the album's impact. It also doesn't hurt that this is arguably \u003c\/span\u003e\u003ca class=\"name-link\" href=\"https:\/\/www.allmusic.com\/artist\/devo-mn0000249973\"\u003eDevo\u003c\/a\u003e\u003cspan\u003e's strongest set of material, though several brilliant peaks can overshadow the remainder. Of those peaks, the most definitive are the de-evolution manifesto \"Jocko Homo\" (one of the extremely few rock anthems written in 7\/8 time) and a wicked deconstruction of \"(I Can't Get No) Satisfaction,\" which reworks the original's alienation into a spastic freak-out that's nearly unrecognizable. But \u003c\/span\u003e\u003ca class=\"album-link\" href=\"https:\/\/www.allmusic.com\/album\/q-are-we-not-men-mw0000195665\"\u003eQ: Are We Not Men?\u003c\/a\u003e\u003cspan\u003e also had a conceptual unity that bolstered the consistent songwriting, making it an essential document of one of new wave's most influential bands.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warner Records","offers":[{"title":"Default Title","offer_id":32561156751422,"sku":null,"price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/3856856-2601403.jpg?v=1604002725"},{"product_id":"t-rex-electric-warrior-lp","title":"T. Rex - Electric Warrior LP","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**New High Fidelity Press!!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e180 Gram Vinyl \/ Cut From Original Analog Master\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eElectric Warrior is the second studio album by English rock act T. Rex, their sixth if including the group's earlier incarnation as Tyrannosaurus Rex. The album marked a turning point in the band's sound, dispensing with the folk-oriented music of the group's previous albums and pioneering a flamboyant, pop-friendly take on electric rock and roll known as glam rock. The album reached number 1 on the UK charts and became the best-selling album of 1971.\u003c\/p\u003e","brand":"Rhino Entertainment","offers":[{"title":"Default Title","offer_id":39323312848958,"sku":null,"price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/3706782.jpg?v=1616768239"},{"product_id":"watchhouse-blindfaller-lp","title":"Watchhouse - Blindfaller LP","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**New Press Out 3\/20!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLean in to the Watchhouse (formerly known as Mandolin Orange) album, Blindfaller, and it’s bound to happen. You’ll suddenly pick up on the power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You’ll hear the way it magnifies the intimacy at the heart of the North Carolina duo’s music, as if they created their own musical language as they recorded it. “We talked about the feel of each song and pointed out loosely who was going to be taking solos, but it was mostly a lot of fresh takes, a lot of eye contact, and a lot of nods and weird winks,” says Andrew Marlin, who anchors the band with fellow multi-instrumentalist and singer Emily Frantz. As the duo’s songwriter, Marlin sharpens his lyrical prowess here, touching on broad themes of growing older and feeling helpless in a world torn by injustice. Sure, the album sounds classic, but it is rooted in the here and now of our daily headlines.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2715101835\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3507406265\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":44515495969055,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/a3887989575_16.jpg?v=1677697293"},{"product_id":"reigning-sound-time-bomb-high-school-lp","title":"Reigning Sound - Time Bomb High School LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e**BULL CITY RECORDS EXCLUSIVE PRESS!!\u003c\/span\u003e\u003cbr\u003e(Signed Jacket \/ Blue Vinyl \/ 500 Pressed)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/6\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**First Vinyl Press In Over Twenty Years!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBack in 2002, Reigning Sound unleashed Time Bomb High School, an earth-scorching platter of rock and roll that conquered the hearts and ears of everyone from Little Steven Van Zandt to The Hives’ Howlin’ Pelle Almqvist. Time Bomb High School has since become a cratedigger’s grail, out of print on vinyl since its initial release. On March 6th, 2026, those seekers have reason to rejoice: Time Bomb High School is returning to vinyl; remastered and featuring new cover art by Greg Cartwright. Pressed on Blue Eco-Mix vinyl and signed by Cartwright, this limited-edition reissue is available exclusively through Durham, NC’s Bull City Records.\u003c\/p\u003e\n\u003cp\u003eHailed as “a truly unimpeachable rock’n’roll-soul classic” by The Guardian, Time Bomb High School was a breakthrough for the Memphis-based quartet of Cartwright (vocals, guitar), Jeremy Scott (bass, backing vocals), Greg Roberson (drums), and Alex Greene (organ, guitar, backing vocals). The songs — Cartwright’s originals and covers like “Stormy Weather” and “I’d Much Rather Be With the Boys” alike — are as alive as ever, but the heart of this edition of Time Bomb High School lies in its sequencing, which was kept true to the 2002 first pressing. The Side 1 features mid-tempo ballads, and love songs. Side 2 is all rockers.  \u003c\/p\u003e\n\u003cp\u003eThe album opens with four of Reigning Sound’s most vulnerable yearners before breaking out into a rendition of Memphis hometown heroes The Guilloteens “I Don’t Believe.” From this, an almost entirely new album emerges. The band’s swagger and bravado remains intact, but the album feels more earnest and open-hearted, like they’ve put down their guard to really let the listener in, its ravers feeling like shelter from the storm. There’s no wrong way to listen to Time Bomb High School, but this is its definitive form: a classic that’s ready for rediscovery, as vital to the rock canon as the dusty 45s that inspired Reigning Sound.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3107333931\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3788275312\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Merge Records \/ Bull City Records Exclusive","offers":[{"title":"Default Title","offer_id":51595581358367,"sku":null,"price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/MRG696_reigningsound_timebombhighschool_3600_2c352139-d15f-48ae-919a-c4e2646df51b.jpg?v=1770231871"},{"product_id":"the-new-pornographers-the-former-site-of-lp","title":"The New Pornographers - The Former Site Of LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/27\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA woman is trapped on a cruise ship. A preacher decides to go down with his town. A man at the florist finds himself lost in the meaning of the arrangement. These and other people at personal and societal extremes are the subjects of ten timely, timeless short stories collected as meticulously crafted pop songs by The New Pornographers on their forthcoming album, The Former Site Of.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album, like Continue as a Guest, finds The New Pornographers-bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins, and Todd Fancey-expanding their already rich catalog in surprising fashion. Joined by legendary session drummer Charley Drayton (Divinyls, Keith Richards, Fiona Apple), the space contained in a New Pornographers song has never been this clearly articulated or generously textured, giving a distinct pulse to the characters whose lives spill out in Newman's tender, evocative lyrics. \u003c\/span\u003e\u003cspan\u003eThe Former Site Of adds new depth to the sound Newman shook loose through building and recording in a home studio, fine-tuning the band's creative process far beyond the lockdown-era necessities of remote collaboration. \"Having time in my studio really opened things up,\" he explains. \"I can get the skeleton of a song together first-just a couple of elements, the key feeling, really as little as possible-before bringing it to the band and running from there.\" \u003c\/span\u003e\u003cspan\u003eTwo albums into this shift, The New Pornographers are creating universes of intricately textured sound and narrative detail, every layer keyed to reveal an unexpected new facet. As on Continue as a Guest, one of the more readily apparent layers is the way a song forms itself around a featured instrument. On The Former Site Of, it's a mandolin which, in Carl Newman's hands, lends lead single \"Votive\" it's sense of acceleration as it builds from the atmospheric sweep of it's synth and keyboard opening to a classic, wide-open jam. \u003c\/span\u003e\u003cspan\u003e\"Hands are cupped around a match \/ I'm just trying to keep the lights on,\" Newman sings on the track, the metaphor-hanging on despite the precarity of life-a thread that weaves through The Former Site Of. \"Bonus Mai Tais\" is, in a sense, about the flame going out, Newman writing directly of meeting a friend with advanced cancer for drinks, disarmed by their candor in the face of death. It is a brutally sad song, the anguish of the moment hanging in Newman's voice, and one of the band's most beautiful, with Neko Case's and Kathryn Calder's harmonies acting as the scene's ethereal mirror. \u003c\/span\u003e\u003cspan\u003eThe Former Site Of places many of it's subjects on the edge of oblivion-their time growing short, their situation doomed-but hanging on. This is also true when The New Pornographers turn their focus inward as they do on \"Pure Sticker Shock,\" Newman's lyrics grappling with self-worth. That they can identify themselves among such a disparate cast-even the Cassini-Huygens satellite of \"Spooky Action\"-ties the album together before the final repeated lyric of it's title track, the way into the heart of each of these songs warmly lit and inviting. Far from being the expected next chapter from The New Pornographers, The Former Site Of is an argument against expectation by a band that continues to evolve rather than rest on their laurels. Even in it's darkest or most self-deprecating moments, there is an effervescence to the music here that is irresistible, an affirmation that the struggle of it's characters and the listener, like a photograph of a distant planet, is worth it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=3086188435\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Standard Black Vinyl","offer_id":51595601510687,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false},{"title":"Orange \u0026 Red Marble Vinyl","offer_id":51595601543455,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2879830380_5.jpg?v=1770227157"},{"product_id":"charlotte-cornfield-hurts-like-hell-lp","title":"Charlotte Cornfield - Hurts Like Hell LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/27\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHurts Like Hell is Charlotte Cornfield's sixth album, the first she's recorded since the birth of her daughter, an inflection point for her as a person and an artist. The album's recurrent themes of personal growth and renewal, of love's perseverance through difficulty and shame and awkwardness, are rooted there. \"That experience has pulled me out of myself and given me a different outlook on things,\" she says. \"The vulnerability and fragility and wildness of it all has made me less focused on self, more zoomed out.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHurts Like Hell is the most open-hearted, full-voiced album of her career, and also her most collaborative. Decamping to Philip Weinrobe's Sugar Mountain studio in Brooklyn, Cornfield was joined by a full backing band, including Palehound's El Kempner, Lake Street Dive's Bridget Kearney, Adam Brisbin, and Sean Mullins, with key contributions by Núria Graham, and Daniel Pencer. Cornfield then recruited Feist, Buck Meek, Christian Lee Hutson and Maia Friedman to sing on the album. \u003c\/span\u003e\u003cspan\u003eThe fruits of this process are immediately apparent on lead single \"Hurts Like Hell,\" a country-saturated yearner Cornfield calls \"a shy people love story,\" the band swelling to embrace Cornfield's idiosyncratic flow as if to cradle her protagonist's heart. That the song is so vulnerable, so lived-in, is a matter of trust between Cornfield and her bandmates, in each other and of their gut. Their sound lands somewhere between Nashville Skyline and Harvest; a warm, richly-textured response to her bruised-but-seeking call. \u003c\/span\u003e\u003cspan\u003eMuch of Hurts Like Hell's magic happens in the space Cornfield makes for harmony. Taken up by Meek or Hutson, characters are sung into life as if with a brushstroke. When joined by Kempner or Kearney, it's a dazzling facet of the natural, lightning-in-a-bottle chemistry of her band. On \"Kitchen,\" Friedman mirrors Cornfield's sense of astonishment at finding herself in love, rendering the emotion at it's ethereal peak. On \"Living With It,\" she's joined by Feist, who Cornfield connected through a group chat for mothers who are touring musicians. \u003c\/span\u003e\u003cspan\u003eCornfield has arrived at this album bearing both scars from her past and hope for the future. Standing outside of herself and taking stock of what she wanted her music to be in the wake of childbirth, she was brave enough to ask for space, for time, and for help from places and people familiar and unexpected - a group chat, songwriters she was fans of but wasn't acquainted with, friends whose long-forgotten song leant her the chorus for a new one. Every \"yes,\" every voice memo, every shared file, every open door leading to this moment in Charlotte Cornfield's career. Call that moment what you will - an expansion, a rebirth, a breakthrough - Hurts Like Hell is big enough to meet it and has lost none of Cornfield's charm, wit, or urgency in the offing, at once a reaffirmation of her standing among the great singer-songwriters of her generation and the first articulation of her future, whatever uncertainty and love it may bring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=369329038\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Standard Black Vinyl","offer_id":51595614552351,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Clear \u0026 Yellow Swirl Vinyl","offer_id":51595614585119,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2106657195_5.jpg?v=1770227765"},{"product_id":"parlor-greens-emeralds-lp","title":"Parlor Greens - Emeralds LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 4\/10\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmeralds, the sophomore long player from Parlor Greens, finds the trio serving up a beautifully curated sampler of what funky organ music can be. Three true masters of their respective crafts: Tim Carman (formerly of GA-20) on drums, Jimmy James (True Loves, formerly of Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Seasoned and soulful pros coming together to make infectiously funky instrumental jams. Parlor Greens are truly in top form: tour tight and more confident than ever in who they are and where they're going. The album's opener, \"Eat Your Greens,\" kicks the doors off with a Charles Earland-inspired four on the floor beat, with Jimmy and Scone driving the tune down the tracks like an overloaded freight train, it simply cannot be stopped. \"Lion's Mane\" shows a slightly more sophisticated side of the trio, with nods to one of Scone's organ mentors, the incomparable Dr. Lonnie Smith. Not to be outdone by his bandmates, Tim Carman shows off why he plays the best shuffle this side of the Mississippi on \"Letter To Brother Ben,\" a gospel-tinged shuffler. And while the results are stronger than ever, the mood of this second cooking session was much different. The first time these three met in Loveland at Colemine's Portage Lounge studio was marked by a certain freshness. It was new, it was the first time they had all played together. It was exciting, it was unknown territory. The session for Emeralds weighed much heavier on all three members. All three dealing with personal tragedies in their individual lives, the session truly served as a genuine moment of joy for the group. Just three talented musicians, writing and playing music now as friends in a familiar environment. No moment is the weight of the session more obvious than with the album's closer, \"Queen Of My Heart,\" a tune Jimmy wrote for his mother shortly after she passed away. So with a heavy and soulful heart, Colemine Records is beyond proud to present the sophomore effort from three maestros. Parlor Greens presents... 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Afterlife Requiem is an elegy to friend and collaborator Jóhann Jóhannsson. Drone, electroacoustics, and near-silences extracted from unfinished recordings on Jóhannsson hard drives, underpin two string quintets-Ghost Orchestra (Reykjavík) and Possible Orchestra (Winnipeg)-processed and erased in a doleful durational work. Patton also works again with Andy Rudolph (Guy Maddin) and Paul Corley (Sigur Rós, Ben Frost) on co-production and sound design, to forge a simmering physicality that juxtaposes roiling low-end with haunting movements of ghostly strings. Everything I have ever written is a Requiem. Everything an ending. Death is smeared all over this music. My work is about disappearance-of the present, the past, of everything. Afterlife Requiem gets slower and slower over it's duration, it is one huge ritardando, time is not just slowing down-it is disappearing. Without even thinking, two related tragedies occurred and came to the surface organically while I was writing, recording, and working: the death of my mother and the death of composer and friend Jóhann Jóhannsson. When I start writing, I am not thinking of anything in particular, I am just writing, composing, recording, and listening... but something always makes itself apparent or pushes itself through in an unforeseen way. After my mother's medically-assisted death, in clearing out her apartment, I realized that I was also erasing the physical manifestation of her world-and that I was doing the exact same thing with the music I was writing and recording. During this time, Jóhann's death also kept making itself apparent. 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Big Changes emerges from a moment when childhood innocence gives way to the responsibilities and anxieties of adulthood, a tension mirrored in Adam Sturgeon’s own evolution as an artist. The Anishinaabe musician has continually transformed—shedding old identities, reclaiming his heritage, and shaping new projects such as Status\/Non-Status and OMBIIGIZI. Across these shifts, one constant remains: Sturgeon treats each artistic endeavor like family, carrying the weight of provider, protector, and father while navigating a world that often feels on the brink.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCreated in a converted church home studio in London, Ontario, Big Changes reflects both domestic routine and societal upheaval. The songs confront the everyday realities of living in a neighbourhood worn down by inequality, while also grappling with Sturgeon’s lifelong experience of duality as a mixed Indigenous person. Tracks like “Big Changes,” “Bones,” and the two-part “Bitumen Eyes” move between street-level observation and generational reflection, confronting colonial scars, environmental exploitation, and the complex inheritance passed to Indigenous youth. Throughout, Sturgeon holds tension without resolving it—acknowledging uncertainty while searching for resilience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusically, the album stays true to Status\/Non-Status’s raw, intuitive energy even as it grows more deliberate and refined. Collaborations with artists such as Julie Doiron, Kevin Drew, Rachel McLean, and Colleen “Coco” Collins deepen the record’s sense of community, weaving together noise-rock grit, power-pop brightness, and reflective acoustic textures. Ultimately, Big Changes is an act of collective endurance—an album about survival through connection, about making noise together when the world feels fragile, and about finding harmony in the shared struggle to move forward.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1545454587\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"You've Changed Records (Canada)","offers":[{"title":"Default Title","offer_id":51990745121055,"sku":null,"price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1996671968_5.jpg?v=1772659501"},{"product_id":"landowner-assumption-lp","title":"Landowner - Assumption LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/6\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWestern Massachusetts band Landowner play abrasively-clean minimalist punk. Singer Dan Shaw started Landowner in 2016, writing and recording the project's debut Impressive Almanac with a practice amp and a laptop drum machine. Shaw's initial concept was a made-up genre called “weak d-beat”, meant to sound intentionally absurd “as if Antelope were reading the sheet music of Discharge”. When Shaw joined with his current bandmates in 2017, they translated these early experiments in restraint, minimalism, and caricatured hardcore as a live band. This provided Landowner with its own unique set of blueprints: the guitars “slap hard” without using any distortion or effects, the rhythm section is tight, fast, and repetitious, and the song structures make space for lyrics that reflect on the global systems and dark absurdities our lives are tangled in. Comparisons could be made to The Fall, Lungfish, or Uranium Club, but across their five albums, they make it clear: Landowner just sound like Landowner.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAssumption is the band's fifth album. Sonically, it captures the vibrancy and intensity of their live performances. The album title “Assumption” encapsulates the album's multi-layered themes. We make assumptions, taking in information online through an overload of decontextualized snippets and headlines, and then quickly form conclusions, or we allow artificial intelligence to do the thinking for us. Assumption is the sound of a band that established its own musical identity and has reached a place of tightness with an ease gained from years of playing together, sounding mechanically precise and at the same time fully human. 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Known for his boundary-defying approach to music and storytelling, Flying Lotus has emerged as one of the most influential and creative voices in modern experimental music and visual art. Over the span of his career, Flying Lotus has earned over 608M streams on Spotify alone. Flying Lotus' first release on Brainfeeder will be a frenetic EP, which has been described as bombastic, esoteric and completely unique.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlying Lotus first gained recognition with his 2006 debut 1983, but it was Los Angeles (2008) and Cosmogramma (2010) that firmly established him as a pioneer in the LA beat scene. Cosmogramma blended jazz improvisation with cosmic textures, and is rightly regarded as one of the greatest electronic albums of all time. Subsequent albums like Until the Quiet Comes (2012) and You’re Dead! (2014) showcased his growing ambition. You’re Dead!, a concept album about the afterlife, featured Kendrick Lamar, Thundercat, and Herbie Hancock, and is widely considered a modern classic. In 2019, he released Flamagra, an expansive and cinematic album featuring Anderson .Paak, Tierra Whack, and David Lynch. 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The new album, like the original, speaks to the urgency of the situation for the 1 in 5 children globally living through war today. Recorded in a single day in 1995, the original ‘HELP’ album raised over £1.2 million, enabling the charity to provide vital support to thousands of children caught in the Bosnian conflict, and was hailed as “the best charity album ever made” by critics.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHELP(2) was recorded (predominantly), thanks to their generosity, at Abbey Road Studios, across one special week in November 2025. Under the stewardship of acclaimed producer James Ford, HELP(2) features an incredible line-up of contributors including Anna Calvi, Arctic Monkeys, Arlo Parks, Arooj Aftab, Bat For Lashes, Beabadoobee, Beck, Beth Gibbons, Big Thief, Black Country, New Road, Cameron Winter, Damon Albarn, Depeche Mode, Dove Ellis, Ellie Rowsell, English Teacher, Ezra Collective, Foals, Fontaines D.C., Graham Coxon, Greentea Peng, Grian Chatten, Kae Tempest, King Krule, Nilüfer Yanya, Olivia Rodrigo, Pulp, Sampha, The Last Dinner Party, Wet Leg and Young Fathers…amongst other musicians, engineers, mixers and producers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll proceeds from this album support War Child UK to protect, educate, and stand up for the rights of children living through conflict around the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHELP(2) represents hope for children whose lives have been torn apart by war. 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Written between London and Los Angeles, the album confronts the turbulence of the last several years - global unrest, fractured discourse, and personal reckonings while searching for empathy, connection, and love amid chaos. 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Facing exhaustion, the band scrapped early demos to prioritize mental health, ultimately crafting a raw document of self-reflection that vocalist Zayna Youssef calls \"the hardest thing I've had to do.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarking a significant evolution in their creative dynamic, the new album is the first written fully as a collaborative unit by Youssef, guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, \u0026amp; drummer Chris Kearney. Recorded at Gradwell House with longtime producers Matt Weber \u0026amp; Dave Downham, the record aims to bottle the kinetic energy of their live shows-performances that have earned them endorsements from stars like Hayley Williams and Doja Cat. The resulting sound is an elevated mix of math-rock intricacy, urgent punk, and heartfelt emo. \u003c\/span\u003e\u003cspan\u003eThe album's narrative explores the concept of a lingering \"glow\" after a fire, symbolizing hope after hitting rock bottom. This theme is introduced by the single \"No Control,\" a soaring track that tackles self-indulgence and boundaries, tracks like \"Shameless\" and \"Make Me Sick\" explore transitional chaos and the breaking of negative habits, offering a candid look at a band that has burned down it's old ways to rebuild something stronger. \u003c\/span\u003e\u003cspan\u003eTo support the release, Sweet Pill has announced a massive 2026 U.S. and Canada headline tour. The run begins on release day in Pittsburgh, PA, and includes major stops at Brooklyn's Warsaw and Los Angeles' El Rey Theatre, before wrapping up with a hometown finale in Philadelphia on April 18th. As a woman of color in the alternative scene, Youssef hopes the album and tour will foster a judgment-free community for fans. 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Produced by Jeff Tweedy at Wilco's Loft studio, Transmitter marks a deepening of Clarke's abilities and the convergence of two artists whose work searches for grace amid dislocation. These are places shaped by the myth of self-reliance, where people sold the idea of connection through technology have been reduced to quiet transmitters-data points bought and sold, manipulated and measured, their lives distorted through the very networks meant to unite them.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first signs of Transmitter came when Cut Worms were on the road supporting Wilco in the summer of 2024. At the end of the tour, Tweedy invited the band to record at the storied Loft in Chicago, and plans were soon made to commence that fall. In the Loft's warm clutter of guitars, amplifiers, and books, Clarke and Tweedy quickly found common musical ground and a shared instinct for songs that hold complexity. 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Giver Taker, hailed by Rolling Stone as one of the year's best albums, positioned him as a compelling voice exploring enduring themes of spirituality, identity, and liberation. With The King, Anjimile intensified his examination of Black and trans existence amid personal and societal turbulence, reaffirming his courageous commitment to navigating discomfort as a means of liberation.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou're Free to Go, picks up where The King left off, but with it's hands open wide - a central question being: what happens when you let go and let love in? On You're Free to Go, he learns to trust life again. \u003c\/span\u003e\u003cspan\u003eThe album's title symbolises Anjimile's expansive perspective on love and personal freedom, influenced profoundly by his relationship with his partner and their joyful embrace of non-monogamy. Elsewhere, You're Free to Go explores heavier, darker truths; But even in it's most searching moments, the record radiates light. Each song holds space for healing - for turning pain into something tender, communal, and free. \u003c\/span\u003e\u003cspan\u003eSpirituality remains the heartbeat of Anjmile's work. \"Songwriting feels like a prayer, a plea, or a question,\" he says. Across the album, sacredness feels alive and imperfect - a practice of breathing, wondering, forgiving. The album hums with that same sacred energy: messy and full of grace. \u003c\/span\u003e\u003cspan\u003eYou're Free to Go is a portrait of transformation - not as a wound, but an opening. Richly textured, this collection of songs is an honest reflection of life's fluctuations. It holds space for contradiction and finds liberation in tenderness. In every note, Anjimile provides space for each listener to reflect and uncover their own truths, while gently reminding us that freedom isn't the absence of pain, but the courage to love, to ask, to keep beginning again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1538249523\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD Records","offers":[{"title":"Default Title","offer_id":52240041017631,"sku":null,"price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1238971338_5.jpg?v=1773255288"},{"product_id":"kim-gordon-play-me-lp","title":"Kim Gordon - PLAY ME LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/13\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKim Gordon's third album, 'PLAY ME,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident.\" The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times fascism, the A.I.-fueled chill-vibes flattening of culture - where dark humor voices the absurdity of modern life. Despite its frequent outward gaze, 'PLAY ME' is an interior record, one in which a heightened emotionality pulses through physical jams, rejecting definitive statements in favor of an inquisitiveness that keeps Gordon searching, ever in process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2270746941\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador Records","offers":[{"title":"Standard Black Vinyl","offer_id":52240049602847,"sku":null,"price":26.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Indie Exclusive White Vinyl","offer_id":52240049635615,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0696204821_5.jpg?v=1773255517"},{"product_id":"the-sophs-goldstar-lp","title":"The Sophs - GOLDSTAR LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/13\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Sophs' honesty, flamingly intrusive thoughts, and genre-spreading caught the attention of Rough Trade founders Geoff Travis and Jeannette Lee immediately. When Ramon sent a demo reel out to his favorite indies, he wasn’t expecting any replies. But Travis and Lee were in his inbox the next day, asking if he’d hop on a call.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRough Trade heard the sort of creativity and variety — and “don’t expect me to act pretty” sentiment — that could get The Sophs — including Ramon, Sam Yuh (keyboards), Austin Parker Jones (electric guitar), Seth Smades (acoustic guitar), Devin Russ (drums), and Cole Bobbitt (bass) — a slot on nearly any stage. They heard a five-song seed of their debut record GOLDSTAR, out March 13th, 2026\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt any moment, The Sophs are entering pop-punk; blazing through funk; talk-singing to the audience. Their enthusiasm for every iteration is evident, and Ramon’s rich, full voice deftly nestles into endless categories, utterly chameleonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We never try to be as versatile as we end up being,” Ramon said. GOLDSTAR has a Delta Blues-style song; it has a ZZ Top-inspired tune. To some degree, The Sophs see song creation like pop art: they’re focused on the idea of reproducing something over and over again until it's meaningless.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe genre mix comes on the heels of sparks of inspiration: Ramon will bring Yuh a song and pull out a piece (e.g., “I want drums like that”) and they’ll create something altogether new. Take the vaudevillian “THE DOG DIES IN THE END.” In an aughts pop-punk croon, Ramon takes listeners through a laundry list of intrusive, cruel thoughts, cresting over Yuh’s accordion. On sunny-rock “DEATH IN THE FAMILY,” he’s similarly disaffected, with the tongue-in-cheek refrain “I need a death in the family” seeking pity and attention that covers up any misdeeds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1425049429\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rough Trade","offers":[{"title":"Default Title","offer_id":52240051568927,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a4213799141_5.jpg?v=1773255812"},{"product_id":"daniel-romano-the-outfit-preservers-of-the-pearl-lp","title":"Daniel Romano \u0026 The Outfit - Preservers Of The Pearl LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 3\/13\/2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Outfit release career defining new album, Preservers of the Pearl, asserting themselves as messengers of the new wave of underground rock and roll, pushing the movement forward alongside fellow trailblazers Mystery Lights, Sheer Mag, Shadow Show, Uni Boys + more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEverything has been leading here. Daniel Romano shifts from his position as sole writer, opening the floor to Outfit stalwarts Ian Romano and Carson McHone, and welcoming into the fold longtime friend and legendary Canadian rock-n-roller, Tommy Major. The band is functioning as a true collective — multiple voices and perspectives — all serving one creative pulse. The result is both a new beginning and a homecoming, a complete and fearless statement.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracked to tape at their own Camera Varda studio, the album captures the band live in the room — breathing, musing, and believing. It’s the sound of human hands and hearts at work, in a shared moment of co-creation, preserved in real time in stunning hi-fi.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere is music as communion — rock n roll as experience. Preservers of the Pearl rejects the flattening forces in modern times — what the band calls “the mono-agriculture of the mind.” In a “target culture”, condemned to homogeny and banality, The Outfit refuse polish and uniformity, embracing imperfection as truth, and promoting curiosity through creativity. At the center of it all is a deep spiritual current — what The Outfit calls Rock \u0026amp; Roll Magick: the belief that music is a sacred act, a force that can reconnect the individual to what is larger.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Outfit are making music that is purposeful and profoundly urgent. Preservers of the Pearl is an invocation - it’s fearless in a time of great compromise, and resolute in an age of peripheral bullshit. Here is a band serving something greater than themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1224065328\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"You've Changed Records (Canada)","offers":[{"title":"Default Title","offer_id":52242451693855,"sku":null,"price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1448800891_5.jpg?v=1773345691"},{"product_id":"amy-gadiaga-babygoated-12","title":"Amy Gadiaga - Babygoated 12”","description":"\u003cp\u003e\u003cb\u003eRELEASE DATE: 3\/13\/2026\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eFrench-Afropean artist Amy Gadiaga (AH-mee GAH-dee-ah-gah) is a London-based bassist, vocalist, and composer. Her debut EP All Black Everything announced the arrival of a vital new voice on the London jazz scene. With her new project BabyGoated, Gadiaga steps boldly into color and confidence. Set for release on Psychic Hotline in early 2026, the project follows her instinct to expand beyond jazz into music that feels expansive, borderless, and true to her roots.\u003c\/p\u003e\n\n\u003cp\u003e\"BabyGoated encapsulates who I am,\" Gadiaga explains. \"Both vulnerable (baby) and bold (goated). It's cute and endearing, but also slightly arrogant.\" The title reflects the dualities that shape the record: between humility and pride, softness and strength, divine energy and human imperfection. \"The whole project is a constant struggle between baby and goated, between confident and lost - but always gracious.\" While All Black Everything leaned into extended jazz instrumentation, BabyGoated trades that in for directness. Gadiaga's voice is brought to the forefront, giving shape to her inner dialogue with unguarded clarity. Across the EP, her lyrics act as pep talks- \"In the intro song, I am specifically in the verse addressing both my younger brother and my troubled lover. I'm taking on the role of a warm feminine presence to guide them out of their dark moments.\" Leaning into organic textures, BabyGoated embraces warm piano, trumpet, and folk-tinged guitar. For the first time, she also writes in French slang. It's a liberating turn that bridges her French and African identities. \"Usually, when I write in French, it's poetic and extra,\" she says. \"But this song came from the intention to make something my younger self would relate to and enjoy.\" There's an exuberance that runs through the EP, both in it's music and visuals. Working with a circle of close collaborators she affectionately calls her \"African baddies,\" Gadiaga drew inspiration from her African heritage to shape the world of BabyGoated into a colorful vision that celebrates individuality and Pan-African pride. Ultimately, BabyGoated is a story of self-belief, transformation, and joy. It is a deeply personal record that reflects Gadiaga's roots and serves as a reminder to those she loves of their own strength and power. \"Listening to this song has given me energy on rough days,\" she says. \"I hope others find it just as fun, empowering, and energizing.\"\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1970450920\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=1199094466\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":52243014385951,"sku":null,"price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2846227606_16.jpg?v=1773369941"},{"product_id":"new-age-doom-featuring-h-r-angels-against-angels-lp","title":"New Age Doom (featuring H.R.) - Angels Against Angels LP","description":"\u003cp\u003e\u003cb\u003eRELEASE DATE: 3\/13\/2026\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eCritically-acclaimed experimental band New Age Doom presents its collaboration with H.R., lead vocalist of the legendary Bad Brains, releasing on March 6, 2026 through Toronto label We Are Busy Bodies.\u003c\/p\u003e\n\n\u003cp\u003eThe vision was to bring H.R. into a space he hasn’t visited in a long time, a sphere he helped create and pioneer. The album thrives at the intersection of chaotic hardcore and spacious dub. Though it was never planned as a dub record, that sound’s gravitational pull affected the music, shaping it naturally,” said Eric J Breitenbach, drummer and co-producer.\u003c\/p\u003e\n\n\u003cp\u003e“We didn’t just want to revisit history, but to make a sound that doesn’t exist anywhere else. H.R.’s voice evokes survival, chaos, and hope all at once. This album is heavier, stranger, and more alive than anything we’ve done. 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Starting in 2014 and breaking through with 2016's Kiid, Mal Devisa's work spans a selfmade spectrum of sound from gravitic, soulful rock to soliloquy to unabashed hip hop. Although known for her unmistakable, smoldering voice and loop-based, bass-forward compositions, Carr's talents also extend to reaches of spoken word and production, paralleled by aspirations to start both a youth foundation and Afrobeat orchestra. 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Mixing haunted folk, psych rock, and a shadowy strain of country, Cogan builds a realm where catharsis feels lush, mysterious and vital.\u003c\/p\u003e\n\n\u003cp\u003eWritten in Twin Peaks-like Nanaimo, B.C., Hard Hearted Woman grew out of a blur of cold-water plunges, long river swims, late-night ruminations on art and politics with friends, and long drives through the rural Lillooet landscape visiting her godmother. She recorded with her beloved band and guests from both the country and experimental worlds with David Parry (Loving) at Dream Club in Victoria, B.C., as well as in her studio in Nanaimo, and remotely with Tom Deis. The result is a record that glows like something pulled from smoke and seawater-intimate, shimmering, and carved with wit as much as grief. It's a swirling, jewel-toned ode to all the angels and the demons. The album opens with \"Honey,\" a slow-blooming burn built on warm strings and loose, driving percussion. Cogan's voice is steady, smoky, and consoling, addressing the \"hard hearted woman\" who anchors the record. Written in response to anti-trans legislation, the song radiates resilience without ever losing it's tenderness. \"The Smoke\" rises on a hypnotic rhythm, nodding toward JJ Cale while pulling the form apart. It's a groove for the end times with congas, shakers, cracked guitars, and ghost-weathered textures all colliding as Cogan sifts through the darker corners of our shared humanity. On \"Division,\" her voice echoes across a stark, reverberant landscape. The song builds like a flare in the night, a plea against the numbing cruelty that's come to feel routine these days. Hard Hearted Woman is a work of devotion to mystery, to community, to the strange power of making art in a fractured world. \"It's the most important part, the magic,\" Cogan says. Despite it's title, Hard Hearted Woman isn't about shutting down, rather about hardness as resilience. It's the shell we grow so our most human, breakable selves can survive. 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Drawing from the tumultuous nature of the American political and cultural landscape, the band explores new sonic territory while simultaneously referencing their roots and doubling down on their signature groove. Into Oblivion is a blistering manifestation of decades of exploring, refining, and pioneering the metal of the 21st century.\u003c\/p\u003e","brand":"Epic","offers":[{"title":"Standard Black Vinyl","offer_id":52258666217759,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Poltergeist Grey Marble Vinyl","offer_id":52258666250527,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/4487636-3548417.jpg?v=1773369951"},{"product_id":"the-black-crowes-a-pound-of-feathers-lp","title":"The Black Crowes - A Pound Of Feathers LP","description":"\u003cp\u003e\u003cb\u003eRELEASE DATE: 3\/13\/2026\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eBLACK CROWES \/ POUND OF FEATHERS - Fresh off the GRAMMY-nominated success of Happiness Bastards (2024), Chris and Rich Robinson wasted no time getting back to work. 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