{"title":"Friday September 19th","description":"","products":[{"product_id":"atmosphere-jestures-2lp","title":"Atmosphere - Jestures 2LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003cem\u003eJestures\u003c\/em\u003e\u003cspan\u003e, Atmosphere’s sprawling new album, Slug digs into the friction of middle-aged domesticity and stability, uncovering the quiet tensions that shape creative life. Long past the belief that great art needs great pain, he challenges the trope that creativity must be born from trauma. Instead, Atmosphere’s fifth release of the 2020s reflects a more grounded kind of struggle—one rooted in reflection, routine, and the work of becoming.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s ambitious structure mirrors its introspection: 26 songs, each titled with a different letter of the alphabet and sequenced from A to Z. Even guest appearances follow suit—Evidence lands on “Effortless,” Kurious on “Kilowatts,” and Musab, Muja Messiah, and Mike the Martyr appear on “Mash.” Many tracks are strikingly short—one or two verses at most—delivering sharp ideas with precision and restraint.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMore than a look back, \u003c\/span\u003e\u003cem\u003eJestures\u003c\/em\u003e\u003cspan\u003e is a meditation on movement and meaning. Slug weaves memory and present-day reality over Ant’s richly textured beats, blending electro-glitch, warm twang, and cinematic drones. It’s a mosaic of life’s overlooked moments—how a partner’s habits, a child’s quirks, or a passing sound can reveal something new. What emerges is a story of progress, building toward a future defined by resilience and creative clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1596083821\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Default Title","offer_id":51073227522335,"sku":null,"price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2305180994_5.jpg?v=1753371014"},{"product_id":"wednesday-bleeds-lp","title":"Wednesday - Bleeds LP","description":"\u003cp\u003e\u003cspan\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What's the point of living if we're not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday's new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that-like many of the most arresting passages from the North Carolina band's highlight reel so far-thoughtfully explores the vivid link between curiosity and confession. Bleeds is not only the best Wednesday record-it's also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman-founder, frontwoman, and primary lyricist-credits Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. \"Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential 'Wednesday Creek Rock' album,\" Hartzman said, articulating satisfaction with the ways her band has sharpened it's trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. \"This is what Wednesday songs are supposed to sound like,\" she said. \"We've devoted a lot of our lives to figuring this out-and I feel like we did.\" Just like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates-Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake \"M.J.\" Lenderman (guitar)-worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism-not only it's tone or subject matter, but also the actual sound of the words, as well as Hartzman's masterfully subjective approach to detail selection. Every image or scene is filtered through Hartzman's agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman's specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else's.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1043687323\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Oceans","offers":[{"title":"Standard Black Vinyl","offer_id":51187709804831,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Eco Mix Vinyl","offer_id":51187709837599,"sku":null,"price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3492832214_5.jpg?v=1756669369"},{"product_id":"descendents-milo-goes-to-college-lp","title":"Descendents - Milo Goes To College LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the seminal works from the genre to become known as pop punk, the Descendents' Milo Goes to College arrived in the year 1982 as most of the members of the band were just finishing high school. They began by writing catchy, hummable melodies about girls, parents, and food, among other things. Despite their unabashedly juvenile lyrical approach, they played with a blistering intensity rivaling any of the bands in the burgeoning hardcore crowd that they fell in with. This winning formula has carried the group for decades, as their influence has inspired countless followers (some becoming far more famous) in their wake. Now, 43 years later, Descendents are reclaiming and reissuing the album that started it all.\u003c\/span\u003e\u003c\/p\u003e","brand":"ORG Music","offers":[{"title":"Standard Black Vinyl","offer_id":51220362690847,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Grey Marble Vinyl","offer_id":51220362723615,"sku":null,"price":27.98,"currency_code":"USD","in_stock":false},{"title":"Punk Note Cover Edition Vinyl","offer_id":51220362756383,"sku":null,"price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/4444298-3419487.jpg?v=1757617652"},{"product_id":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2lp","title":"Saul Williams, Carlos Niño, \u0026 Friends - Saul Williams meets Carlos Niño \u0026 Friends at Treepeople 2LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLand Back! An unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024. The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=467601442\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"International Anthem Recording Co.","offers":[{"title":"Standard Black 2LP","offer_id":51220369899807,"sku":null,"price":32.98,"currency_code":"USD","in_stock":false},{"title":"Forest Green Vinyl 2LP","offer_id":51220369932575,"sku":null,"price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3315149564_5.jpg?v=1757618327"},{"product_id":"buckingham-nicks-buckingham-nicks-lp","title":"Buckingham \/ Nicks - Buckingham \/ Nicks LP","description":"\u003cp\u003eThe legendary debut studio album from Stevie Nicks \u0026amp; Lindsey Buckingham. Buckingham Nicks is the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, prior to them joining Fleetwood Mac. Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes for its long-awaited return to vinyl.\u003c\/p\u003e\n\u003cp\u003eReleased on September 5, 1973, Buckingham Nicks quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham’s tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks—ranging from the folk-rock shimmer of “Crystal” to the sunbaked strut of “Don’t Let Me Down Again.”\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Ltd Baby Blue Vinyl","offer_id":51227472003359,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Exclusive Baby Pink Vinyl","offer_id":51227472036127,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Brick \u0026 Mortar Exclusive High Fidelity Vinyl","offer_id":51227472068895,"sku":null,"price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/4447573-3425027.jpg?v=1757954152"},{"product_id":"sonny-clark-sonnys-crib-lp","title":"Sonny Clark - Sonny's Crib LP","description":"\u003cp\u003e\u003cspan\u003eSonny Clark - \"Sonny's Crib (Blue Note Classic Vinyl Edition)\". One of the finest pianists of the hard bop era, Sonny Clark followed up his 1957 Blue Note debut, Dial \"S\" for Sonny, with the stellar sextet session, Sonny's Crib, a swinging set of standards and Clark originals - featuring John Coltrane on tenor saxophone, Donald Byrd on trumpet, Curtis Fuller on trombone, Paul Chambers on bass, and Art Taylor on drums. This Blue Note Classic Vinyl Edition is stereo, all analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note Records","offers":[{"title":"Default Title","offer_id":51227475181855,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/SonnyClark-SonnysCrib_1LP-Cvr_RGB.webp?v=1757954272"},{"product_id":"freddie-redd-quintet-shades-of-redd-lp","title":"Freddie Redd Quintet - Shades of Redd LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFreddie Redd - \"Shades Of Redd (Blue Note Classic Vinyl Edition)\". The underrated hard bop pianist and composer Freddie Redd gained prominence as the composer of the score for the stage play The Connection and continued to show his compositional prowess on his second Blue Note date, Shades of Redd, featuring Jackie McLean on alto saxophone, Tina Brooks on tenor saxophone, Paul Chambers on bass, and Louis Hayes on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note Records","offers":[{"title":"Default Title","offer_id":51227486191903,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/4447576-3451210.jpg?v=1757954674"},{"product_id":"jr-thomas-jr-thomas-in-the-eraserhood-lp","title":"Jr. Thomas - Jr. Thomas in the Eraserhood LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBest known for his work in Jr. Thomas \u0026amp; The Volcanos, Minnesota singer, songwriter, multi-instrumentalist and producer Jr. Thomas returns with a collaboration that pays homage to the golden era of soul music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTeaming up with Philadelphia production duo Maxwell Perla \u0026amp; Vincent John - AKA Eraserhood Sound - he's proud to present his new album 'Jr. Thomas in the Eraserhood' 'Jr. Thomas in the Eraserhood' came together through the magic of collaboration, and Thomas' drive to find the perfect musicians and studio combination to fulfil his vision. After hearing Eraserhood's work with Kendra Morris, Angelo Outlaw, and Say She She, he knew he'd found the perfect match: \"The Eraserhood sessions were fuelled by focus, hard work, and pure determination. In the late summer of 2023, I approached Vince and Max from Eraserhood with the vision of making an album-despite not having a single song written. We booked a winter session, and I spent the next four months writing.\" Fast forward a few months, and Thomas flew out to Philadelphia alongside his confidant on keys, Raynier Jacildo (The Volcanos, The Black Keys) for 4-days in Eraserhood's Philly studio - formerly owned and purpose-built by Questlove. The results of working in a studio rich with history are clear when listening to 'Jr. Thomas in the Eraserhood'. An authentic, analog-focused take on soul music, it pays respect to the genre whilst joining a growing movement that seeks to bring the uplifting energy of the music to a new generation of listeners. Following in the footsteps of recent breakthroughs from the likes of Jalen Ngonda, Thee Sacred Souls and Pale Jay, the record moves between sunshine-ready, groove laden cuts like 'Can't Leave You Alone' and 'By Your Side', whilst also finding space for bluesy contemplation on tracks like 'Never Be Another' - a heartfelt tribute to and old friend of Thomas' from Minneapolis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2543328059\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DeepMatter Records (UK)","offers":[{"title":"Default Title","offer_id":51227590066463,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3356253195_5.jpg?v=1757956651"},{"product_id":"motion-city-soundtrack-the-same-old-wasted-wonderful-world-lp","title":"Motion City Soundtrack - The Same Old Wasted Wonderful World LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a ten-year absence that left a palpable void in the hearts of millennial emo kids, Motion City Soundtrack are finally back-and yes, it's everything we hoped for. The Same Old Wasted Wonderful World (out September 19) feels like coming home: a dizzying, emotionally articulate blast of guitar-laced pop-punk that reminds us why this band meant so much in the first place. It's a sonic time machine, sure, but it never gets stuck in the past. Instead, it builds on it-older, a little bruised, but somehow more alive. Justin Pierre's voice still wobbles gloriously between a scream and a sigh, only now it carries the weight of experience, not just anxiety.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than reinventing themselves, Motion City double down on what they've always done best: big hooks, bigger feelings, and that perfect tightrope walk between chaos and control. Tracks like \"Particle Physics\" (with Patrick Stump of Fallout Boy) and \"Your Days Are Numbered\" (featuring Mat Kerekes of Citizen) channel the kind of clarity that only comes after surviving your own worst years. In a world drowning in lazy nostalgia, The Same Old Wasted Wonderful World is a rare and welcome return that feels less like a reunion and more like a long-overdue continuation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=4072235100\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Epitaph","offers":[{"title":"Default Title","offer_id":51227597373727,"sku":null,"price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2416046791_5.jpg?v=1757957130"},{"product_id":"bad-cop-bad-cop-lighten-up-lp","title":"Bad Cop Bad Cop - Lighten Up LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLighten Up (Fat Wreck Chords) the SoCal punk group Bad Cop Bad Cop's fourth full-length, paints a striking portrait of life's hard-won victories and hard-fought losses. Recorded at the Compound in Long Beach, home to veteran producer Antoine Arvizu (Sublime, Ryan Bingham). The band loved recording the singles \"Shattered\" and \"Safe and Legal\" there in 2023 with Arvizu and Migs (Sublime, Slightly Stoopid, Long Beach Dub Allstars. Bad Cop Bad Cop stretched their signature hooky, melodic punk into unexpected places, like the jazzy \"Las Ventanas,\" the dub-inflected \"Note to Self,\" or \"Johnny Appleseed,\" a reimagining of the Joe Strummer and the Mescaleros classic. After tracking the instruments, the band spent 10 intense 12-hour days recording vocals with longtime collaborator John E. Carey Jr. (Old Man Markley, NOFX, Get Dead). \"The singing was the most important part for us. We really tried things out,\" Dee says, adding that Gallarza stepped up to sing third harmony for the first time. Lighten Up also benefits from Windsor, an expert guitarist who not only shreds (check out the end of \"I4NI\") but whose music theory knowledge proved invaluable. \"Alex's guitar playing is just so fantastic and has really elevated our songwriting, truly,\" Dee says. Everything about Lighten Up feels elevated and genuine. \"This was the first time we didn't give a f*** about what anyone else was doing or wanted us to do. Lighten Up was for us\" Dee says. \"We had a complete and total ball making it and we love it so much.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=4161505426\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fat Wreck Chords","offers":[{"title":"Default Title","offer_id":51227609727263,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3980555993_5.jpg?v=1757957356"},{"product_id":"lola-young-im-only-f-king-myself-lp","title":"Lola Young - I'm Only F**king Myself LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Basic B*tch Edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLola Young - \"I'm Only F*king Myself\". Pressed on 140g nude pink vinyl, this edition comes with a 12x12 insert and includes the hit single 'One Thing'. It's sweet, subtle, and a little sarcastic - perfect for those days when you need to scream into the void and still look cute doing it. Call it \"basic,\" call it iconic - either way, it's yours to define. This is for anyone who's ever rolled their eyes and then turned the volume up. Who even decides what's basic, anyway? Exactly. EXPLICIT\u003c\/span\u003e\u003c\/p\u003e","brand":"Island","offers":[{"title":"Default Title","offer_id":51227611693343,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/lolayoungimonly__51199.1750278083.jpg?v=1757957652"},{"product_id":"castle-rat-the-bestiary-lp","title":"Castle Rat - The Bestiary LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVinyl LP pressing. Emerging from New York's vile, creature-infested underground, fantasy heavy metal purveyors Castle Rat have announced details of their impending sophomore album \"The Bestiary\", to be released on September 19th by King Volume Records (North America) and Blues Funeral Recordings (UK\/Europe). Recorded by Randall Dunn (Sunn O))), Wolves in the Throne Room, Björk) and mixed by Jonathan Nuñez (Torche, Restless Spirit), the band's latest odyssey features 13 spellbinding tracks of epic carnage and mystical metal. Commenting on the album, The Rat Queen states: \"'The Bestiary' is a conceptual book of beasts containing a collection of mystical creatures from a world forgotten. The last remaining souls of each have been gathered and preserved by 'The Wizard.' Cautionary tales of each beast and The Wizard himself are woven through the power of traditional heavy metal song and spell.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1937212692\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"King Volume","offers":[{"title":"Default Title","offer_id":51227613004063,"sku":null,"price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0495744873_5.jpg?v=1757957850"},{"product_id":"ze-ibarra-afim-lp","title":"Zé Ibarra - AFIM LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMr Bongo proudly presents, 'AFIM', the second solo album by one of Brazil's most exciting new talents, Zé Ibarra. You may be familiar with the hypnotic, entrancing tones of Ibarra's vocals through his work with the Latin Grammy award-winning, four-piece, Bala Desejo and the band Dônica. He has also toured with the musical titan, Milton Nascimento, performing guitar and vocals, which is quite the honour and a testament to Ibarra's craft. As a solo artist, he has performed headline solo shows in Japan, Portugal and the US, as well as recently completing a support tour with the great, Seu Jorge.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e'AFIM' is comprised of eight tracks, featuring Zé's own compositions as well as cover versions of tracks by contemporaries and friends, Sophia Chablau, Tom Veloso, and Dora Morelenbaum. It combines elements of MPB, jazz, pop and progressive rock in a bold, authoritative style. The album represents the intersection between different facets of the artist, from the stripped-down, intimate, guitar singer-songwriter, to dense arrangements with sweeping strings sections. Writing this album allowed Ibarra \"to explore sides of myself that had not yet been organized in an album: a certain darkness, a more cinematic musicality, a desire for new soundscapes. \u003c\/span\u003e\u003cspan\u003eThe album features the single, 'Transe', a song with an instantly comforting tone reminiscent of classic Brazilian songs of the past (think Caetano Veloso). It is built on a rhythmic guitar that supports dynamic sound layers, opening space for Ibarra's intense interpretation. Cinematic atmospheres that lend an air of mystery come courtesy of string arrangements by Jaques Morelenbaum. \u003c\/span\u003e\u003cspan\u003eHis unique cover version of Sophia Chablau's 'Segredo' is equally compelling, taking Sophia's punky-indie original in a different direction and making it feel like his own. 'Essa Confusão', a song celebrating the intensity of love and co-written by Dora Morelenbaum, is steered into epic, 70's AOR, singer-songwriter territory with wind arrangements by Ibarra, Jorge Continentino and strings by Jaques Morelenbaum. \u003c\/span\u003e\u003cspan\u003eThe album is the result of the collaboration of experienced musicians and long-time partners of Ibarra. Fellow Bala Desejo and Dônica member Lucas Nunes co-produced the album. The core band featured on the record consists of Lucas Nunes on organs, Alberto Continentino on bass, Daniel Conceição and Thomas Harres on drums and percussion, Rodrigo Pacato on additional percussion, Chico Lira on Fender Rhodes and Guilherme Lírio on guitar. \u003c\/span\u003e\u003cspan\u003eThe overall feel of the record is archetypically quintessential without slipping into retro mode. It is a stunning album from one of the finest musicians of his generation. A true star of Brazil's blooming contemporary scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=367719441\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mr Bongo (UK)","offers":[{"title":"Default Title","offer_id":51227620639007,"sku":null,"price":30.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1939148540_5.jpg?v=1757958100"},{"product_id":"nation-of-language-dance-called-memory-lp","title":"Nation of Language - Dance Called Memory LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSynthpop, minimal wave, post-punk, goth, new romantic - fans and critics alike have dug deeply into their vintage thesauruses to describe the beguiling work of Nation of Language. And if you can't precisely define the band, that's the point. Frontman Ian Richard Devaney has become prodigious in expanding what synthesizer-driven music can evoke, such that his output is as much an extrasensory journey as it is an all-too-human destination. With that experience in mind, he wrote the band's fourth album - the spectral, spacious Dance Called Memory - in the most humble of ways: chipping away at melancholia by sitting around and strumming his guitar. Nation of Language's first two albums, Introduction, Presence (2020), and A Way Forward (2021), came as pandemic godsends: gorgeous, relatable soundtracks to our collective doldrums. But it was their last LP, Strange Disciple (2023), that catapulted the group from cultural standouts to critical darlings, with the album being named Rough Trade's Album of the Year. With that release, Pitchfork wrote that the band \"are learning what it means to get bigger and better.\" This is Devaney's calling: soulfully translating individual despair into a comforting, collective mourning. The single \"Now That You're Gone,\" which radiates and reverberates with a devastating wistfulness, was inspired by witnessing his godfather's tragic death from ALS, and his parents' role as caretakers for this ailing friend. At it's heart, the song is a reflection of how friends can be there for each other, and also highlights a theme throughout the record: the pain and lost promise of friendships that fall apart. On Dance Called Memory, the band once again collaborated with friend and Strange Disciple producer Nick Millhiser (LCD Soundsystem, Holy Ghost!). \"What's so great about Nick is his ability to make us feel like we don't need to do what might be expected of us,\" says synth player Aidan Noell, who, along with bassist Alex MacKay, rounds out the Nation of Language lineup. They imbued Dance Called Memory with a shifted palette - sampling chopped-up drum breaks on \"I'm Not Ready for the Change\" for a touch of Loveless-era My Bloody Valentine, or smashing all of the percussion of \"In Another Life\" through a synthesizer to cast a shade of early-2000s electronic music. Ultimately, the hope was to weave raw vulnerability and humanity into a synth-heavy album. \"There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I've been drawn to at different points. I've read about how Kraftwerk wanted to remove all of the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human,\" Devaney says. \"As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators I'm focusing more on the human condition, and I need the underlying music to support that... Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=544189332\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":51227624243487,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0910386475_5.jpg?v=1757958355"},{"product_id":"ocean-alley-love-balloon-lp","title":"Ocean Alley - Love Balloon LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlatinum selling Australian rock outfit Ocean Alley return with their latest track 'Love Balloon', the title track of their 5th studio album - out September 19. With a huge response from their first single from the album \"Tangerine\" (7.5m streams \u0026amp; 33K Shazams) Ocean Alley will embark on a massive 2025 with international headline shows at Alexandra Palace (UK) and Hollywood Palladium (US) + more, as well as appearances at major festivals including Lollapalooza, Austin City Limits \u0026amp; Sziget.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UNFD (Australia)","offers":[{"title":"Default Title","offer_id":51227625521439,"sku":null,"price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/4432349-3400636.jpg?v=1757958550"},{"product_id":"various-latin-fire-cumbia-salsa-afro-funk-tropical-dance-music-from-discos-fuentes-colombia-1956-83-2lp","title":"Various - LATIN FIRE! Cumbia–Salsa–Afro-Funk: Tropical Dance Music from Discos Fuentes, Colombia 1956-83 2LP","description":"\u003cp\u003e\u003cspan\u003eSoul Jazz Records delve into the vast vaults of Discos Fuentes, one of the oldest and largest record companies in Latin America, known as ‘the Motown of Colombia’. Discos Fuentes played a major role in spreading Afro-Latin sounds both to Colombia and around the world and this album explores that legacy. Latin Fire! features legendary Colombian artists such as Fruko, The Latin Brothers, Michi Sarmiento, Afrosound, Pedro Laza, Wganda Kenya and more and showcases the wide-ranging variety of styles that Discos Fuentes made unique to their sound. The album features music from the golden era of Fuentes; from late 50s and 1960s Cumbia through to the emergence of heavyweight and hardcore salsa and Afro-funk in the 1970s and up to the early 1980s. Discos Fuentes pioneered the sound of ‘Tropical’ music – Afro-Colombian dance music that originated in the north coast of Colombia bringing it to a new worldwide audience. This album shows how Colombian music was also influenced by New York barrio-style hard Latin and salsa and Caribbean styles such as soka and zouk to create a truly unique dance music sound.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soul Jazz Records","offers":[{"title":"Default Title","offer_id":51227943010591,"sku":null,"price":39.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/201375059660.jpg?v=1757968220"},{"product_id":"lawn-god-made-the-highway-lp","title":"Lawn - God Made The Highway LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**Ltd Evergreen Vinyl\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the past decade, the New Orleans band Lawn has thrived on the palpable chemistry between co-lead singers and songwriters Mac Folger and Rui De Magalhaes. Though each boasts distinct sensibilities—Folger’s songs are breezy, jangly, and personal while De Magalhaes’ are biting and propulsive post-punk—they’ve seamlessly blended their idiosyncratic styles over three unassailable indie rock full-lengths. While their latest, God Made the Highway, is their most confident, energetic, and cohesive yet, it’s also the product of distance. De Magalhaes had moved to Chicago following the release of the 2022 Bigger Sprout, while Folger stayed in Louisiana. Despite being apart, the two still found their relentlessly collaborative spark through remote writing, ample voice memos, and a blistering studio session. These 11 urgent and inviting tracks are a testament to their enduring friendship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=312498209\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Exploding In Sound Records","offers":[{"title":"Default Title","offer_id":51227948417311,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3817447284_5.jpg?v=1757968692"},{"product_id":"cruise-control-time-is-an-angel-lp","title":"Cruise Control - Time Is An Angel LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn Time Is An Angel, Cruise Control has presented us an album like a gifted bouquet of vibrant blooms, showing their hand at vintage tones and sincere songs. From a-side to b, it plays like the perfect mixtape for an ambling summer drive. Country twang merges with power pop jangle, fuzzy leads and honey sweet harmonies, sounding like the sight of blue sky after weeks of rain. Over the course of the album, you’ll feel the warm breeze of fiddles and haunting sweet pedal steel gather depth and hue to pick n’ strum ballads playing like Ole Opry faves, while washes of mellotron and endless guitar solos add watercolor washes to lightly psychedelic dreamfields, all before reaching the summit of the title track’s heartbreaking (and heart mending) crystalline crescendo of feeling and remembrance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1154383939\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Curation Records","offers":[{"title":"Default Title","offer_id":51227950383391,"sku":null,"price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2303303415_5.jpg?v=1757968981"},{"product_id":"laveda-love-darla-lp","title":"Laveda - Love, Darla LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally from Albany, NY, but now an integral part of the Brooklyn indie rock community duo Ali Genevich and Jake Brooks are known for their dreamy Sundays-esque dreampop. On their 3rd full length album and Bar\/None debut Levada has stepped out of their comfort zone and are taking a heavier approach to their rock tendencies. They've looked past their traditional influences and are walking the path paved by bands like Unsane and Sonic Youth.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKey Selling Points \u003c\/span\u003e\u003cspan\u003eMixed by Martin Bisi (Swans, Sonic Youth, White Zombie, Cop Shot Cop) \u003c\/span\u003e\u003cspan\u003eRecently completed a tour opening for Sunflower Beam and will be on the road this summer and fall. \u003c\/span\u003e\u003cspan\u003eTheir music has appeared alongside Haim, Mac Miller, Chumbawamba and Olivia Rodrigo on Netflix comedy Nobody Wants This. \u003c\/span\u003e\u003cspan\u003ePressed on ECOMIX recycled vinyl - random color. No 2 copies are alike.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=885329337\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bar\/None Records","offers":[{"title":"Default Title","offer_id":51230474240287,"sku":null,"price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2708085110_5.jpg?v=1758036675"},{"product_id":"sanam-sametou-sawtan-lp","title":"SANAM - Sametou Sawtan LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSametou Sawtan (Arabic for \"I Heard a Voice\") is the second full-length album from SANAM, the Beirut-based sextet known for their raw fusion of Arabic song, free improvisation, and experimental rock. Building on the momentum of their 2023 debut, this record is a deeper, more expansive work-where traditional poetry and folk melodies collide with distorted guitars, buzuq drones, and fractured electronics.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded between a medieval house in Byblos and La Frette Studios in Paris, and produced by Radwan Ghazi Moumneh (Jerusalem in My Heart), the album reflects on feelings of dislocation and inner unrest. Tracks like the looping, autotuned \"Tatayoum\" and the thunderous opener \"Harik\" explore obsessive states and emotional turbulence, while settings of texts by Omar Khayyam, Paul Shaoul, and Egyptian folk sources highlight the band's use of language and sound as tools for navigating unstable realities. \u003c\/span\u003e\u003cspan\u003eWith it's mix of intense live energy and deliberate studio craft, Sametou Sawtan is SANAM's clearest statement yet-an arresting blend of tradition and experimentation grounded in the experience of cultural and personal upheaval.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1159761185\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Constellation","offers":[{"title":"Default Title","offer_id":51230477517087,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0660145393_5.jpg?v=1758036846"},{"product_id":"halima-sweet-tooth-lp","title":"Halima - SWEET TOOTH LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHalima's debut album SWEET TOOTH is a bold declaration of power from an undeniable talent. Seductive, restless, and deeply assured, the record unspools like a night in motion. In the afterglow of her 2024 EP on drink sum wtr, praised by Clash Magazine, The Fader, BBC Radio, and others, the Brooklyn-based, UK\/Nigerian musician solidifies her sound and expands it tenfold. If EXU was a spark, SWEET TOOTH is the full burn. Not so much genre-less as \"genre-full\"; the album spans a bright, lush world where club bangers meet deep ballads in a striking, fully-formed hybrid of honeyed Afro-pop and scorched R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross it's eleven tracks, Halima maps the push-pull of desire, transformation, and emotional reckoning. \"Sweetness on my terms,\" she offers a mantra for reclaiming softness without surrendering strength. \"The album is about the journey to reclaim one's self amidst the chaos of life and ultimately acts as a love letter to the pleasures and pain of these human pursuits.\" While SWEET TOOTH declares Halima's artistic arrival, she calls it an epilogue, a reflection on past behaviors and lessons learned. \"Am I the person that I wanted to grow into becoming? I think so. I've given myself permission to be free of those things. To be bold. To take up space.\" \u003c\/span\u003e\u003cspan\u003eWhat began as a series of sketches - written in the margins of EXU's more structured sessions - slowly revealed a larger, more thrilling story. \"I wasn't trying to construct a narrative,\" Halima explains. \"I was just writing whatever felt good.\" But the connective tissue was always there: late nights, heartbreaks, full-time jobs, stolen moments - the in-between of becoming. \"These songs carry three to four years of my life,\" she says. \"And hearing them together as a whole, kind of feels like blowing the lid off.\" \u003c\/span\u003e\u003cspan\u003eHalima co-produced SWEET TOOTH with a sharp range of producers, including Mikey Freedom Hart (A$AP Rocky, Dev Hynes\/Blood Orange, Empress Of), whose openness created room for her to explore. \"He told me, this is your playground - do whatever you want,\" she recalls. \"So I picked up the guitar and started humming.\" That melody would become the album's emotional axis, 'wasting my body', introducing notions of physicality and yearning amidst the bittersweet reality of love dissolved. From there, things crystallized. The title track followed, along with the record's central metaphor: sweetness as both offering and armor. \"Studies show people with a sweet tooth are more agreeable,\" Halima says. \"That really hit. For me, people-pleasing is rooted in guilt, shame, and an irrational fear of rejection - it's my superego, which protected me once but is not my true self. SWEET TOOTH is my way through that reckoning.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2653705353\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Drink Sum Wtr","offers":[{"title":"Default Title","offer_id":51230482628895,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3078355325_5.jpg?v=1758037129"},{"product_id":"kendra-morris-next-lp","title":"Kendra Morris - Next LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith her fourth full-length album of original material, idiosyncratic singer\/songwriter Kendra Morris invites you to join her in the DIY kaleidoscope world of Next. Morris's latest record for Karma Chief strips away the veneers of layered production and slick sounds to create an album that may be Kendra at her most authentic, one in which the creative process is vibrant, beautiful, and messy, buoyed by heart and the imperfectly perfect now. A concept album in reverse, Next ties Kendra's cast of characters (including her band: guitarist Supremo \"Premo\" Massiv, bassist Monti Miramonti, and drummer Chauncey Yearwood) to a vintage board game in the spirit of Milton Bradley's finest retro dice-rolling moments. Travel along Next's block-to-block journey, and this universe reveals itself as a mosaic of corals, creams, and pale lilac tiles. You can hear the sonic palette resonate with Morris's influences and inspirations. Decades of New York sounds and voices bend and blend at the seams of these tracks-a world where the Brill Building and Warhol's Factory thrive on the same block while Blondie and the Frightnrs explore rocksteady sounds. Doo-wop and boom-bap soundtrack a UHF network's worth of cut-and-paste stylings, all the while paced by Morris, an artist equally at home behind the lens as she is in front of a microphone. Next is an album of firsts. The album's extended gestation provided Morris with an opportunity to explore her ideas and demos. \"I've been living in this record for over a year,\" says Morris. \"I've always been a writer, and [Next] was a chance to write a record from scratch on my own.\" The New York (by way of Loveland, Ohio) production is co-helmed by Kendra Morris and Leroi Conroy. It's production trades the steel and chrome sleekness for a more personal and scaled-down sound, exposing the songcraft. While earlier albums were awash in IMAX-level cinematic sweep, Next explores Kendra's perspective with a handheld 8mm kinetic energy, all the while showcasing the dynamic, soulful range of her powerhouse voice - equal parts Roberta Flack, Betty Wright, and Minnie Riperton. With recording done at Portage Studios in Loveland and additional vocals recorded at Kendra's Brooklyn apartment, the symmetry is as poignant as it is reflected in the home cooking vibe throughout. \"I wrote and recorded my demos right here at this desk with my guitar, drum loops, and my Casio keyboard,\" Morris reflects. \"To then have Leroi come here, stay a few doors down, and record the vocals felt right and right now and I'm also playing guitar [on Next] which I'm excited about, too.\" Much like the best board games, you may end your journey where you began it, but the path you take along the way is where moments are made. Additional guests on the album include Ray Jacildo of Jr. Thomas and the Volcanos, lending his organ and piano to lo-fi reggae banger \"Flat Tire.\" It's a track that traces the throughline from Kingstown to Bushwick and back again all with Morris' signature AM radio-ready vocals. Kendra Morris and Karma Chief Records invite you to play along with Next, a sonic journey where the roll of the dice means excitement and adventure. Explore the world, tile by tile, meet new friends like Jerry \u0026amp; Roger, help the gang with a \"Flat Tire,\" or read a letter to \"Dear Buddy.\" Maybe you can avoid crossing paths with \"Bill.\" It's Next, complete with 10 tracks and hours of fun for the whole family. Some assembly required. Turntable, CD player, or streaming service sold separately.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1846451655\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Karma Chief Records","offers":[{"title":"Standard Black Vinyl","offer_id":51230530273567,"sku":null,"price":26.98,"currency_code":"USD","in_stock":false},{"title":"Ltd Blue \u0026 Yellow Galaxy Swirl Vinyl","offer_id":51230530306335,"sku":null,"price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0214099802_5.jpg?v=1758038257"},{"product_id":"glo-worm-glimmer-lp","title":"Glo-Worm - Glimmer LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGlo-worm produce chiming pop music of a non-bouncing variety that sounds pure, forlorn and unencumbered. Glo-Worm are at the heart of the '90s East Coast independent pop music scene that brought us Slumberland Records, Velocity Girl, Versus and chickfactor magazine. Glimmer [KLP054] brings all the various glo-worm 45s together under one roof. It's a real charmer, and now available for the first time as a long playing (LP) phonograph record\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eglo-worm formed in Washington D.C., summer 1993 and features the voice of Pam Berry (co-founder of chickfactor magazine) accompanied by Dan Searing (drums, percussion) and Terry Banks (guitar). Previously, Pam had sung in Black Tambourine. Terry played in Tree Fort Angst and a stint in English underground combo St. Christopher. Dan had been in Whorl. \u003c\/span\u003e\u003cspan\u003eDuring the course of glo-worm's two-and-a-half-ish year lifespan, the band released three 7\" EPs (issued by the Somersault, Slumberland and K labels) and had songs on a couple of compilations, all leading up to the glimmer [KLP054] album, which compiled the 7\" EPs and added a cover of The Cure's 'Friday I'm in Love' and was released by K in 1996 as a compact disc. \u003c\/span\u003e\u003cspan\u003ePam Berry, the voice of Black Tambourine, shares songs of a more intimate and personal nature in Glo-Worm than in any of her other many combos. This results in a very satisfying listening experience as one is transported through Pamland celebrating love, loss and bohemian life in general. \u003c\/span\u003e\u003cspan\u003eThe members of Glo-Worm are people involved in the very beginnings of the '90s East Coast underground pop scene that gave birth to Slumberland Records (all the members of Glo-Worm have played in multiple groups on the label). \u003c\/span\u003e\u003cspan\u003eDuring the course of Glo-Worm's two-and-a-half-ish year lifespan Glo-Worm played shows with the likes of the Magnetic Fields, Small Factory, Heavenly, The Clientele, Honeybunch, Would-Be-Goods, Pizzicato Five, Tsunami, Boyracer, Air Miami, The Legendary Jim Ruiz Group, and Ivy. The band's biggest show was in Spring 1995, opening for Radiohead at the now-razed Washington Convention Center. \u003c\/span\u003e\u003cspan\u003eBesides Glo-Worm's breathtakingly beautiful original songs, Glimmer has four fun covers done in their own inimitable style: Petula Clark \"Downtown,\" Bobby Darin \"Beyond The Sea,\" Velocity Girl \"Crazy Town,\" The Cure \"Friday I'm in Love.\"released by K in 1996.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=441683815\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=598564051\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"K Records","offers":[{"title":"Default Title","offer_id":51230534172959,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3942665601_16.jpg?v=1758145649"},{"product_id":"golden-apples-shooting-star-lp","title":"Golden Apples - Shooting Star LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's a kind of magic in the phenomena of stepping outdoors into the nighttime and gazing up at the milky black expanse. If you wait a while, the void fills in with pinpricks of light and, if you're attentive or just plain lucky-you're rewarded with the sight of the elusive meteor. That experience works as a tidy metaphor for the creative process that formed Shooting Star, the newest record from Philadelphia's Golden Apples, a prolific group of musicians formed and heralded by singer and songwriter Russell Edling.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the \"rich jangle and big, well-developed songs\" (Bandcamp) of 2023's Bananasugarfire, Edling sought to deconstruct his creative process by centering collaboration instead of a more solitary pursuit in songwriting, even as personal matters made isolation a more natural instinct. He describes taking time to make notes of the ways, timing and forms in which songs came to him in the process of demoing the record, and regularly questioning if his approach was like that of \"watching a pot of water boil\" or waiting for a bolt of light to appear in the sky. In many ways, Shooting Star is an appeal to the muse, a record of \"songs about writing songs\" born from Edling's desire to trust his instincts despite the posturings of inner demons and creative roadblocks, and to celebrate the little wins along the way. \u003c\/span\u003e\u003cspan\u003eThe result is a sprawling new work packed to the brim with playful eccentricities and dynamism, one that owes as much of it's inspiration to mid-century folkies like Michael Hurley and Karen Dalton as it does to alt rock of the nineties like Yo La Tengo and Stereolab. Shooting Star is a constellation of influences, experiences, reckonings-with the state of the world, with others, with creativity, with oneself-with no two songs created in the same way. Instead of holing up in a recording studio, the creation of the record was formed by a patchwork of collaborations in a variety of recording locales, all which were later alchemized by mix engineer Matthew Schimelfenig \u003c\/span\u003e\u003cspan\u003eAnxiety and isolation go hand in hand with connection and elation on Shooting Star, each sentiment harmonized by dreamy mellotron and static haze or raucous spurs of scrubby guitars and doubled vocals. Across the record's twelve songs, Edling wrestles with the human experience with an almost holistic touch, with lyrics that feel both deeply considered and sometimes wonderfully offhand. On \"Mind\" the persistent, outwardly sunny ode to chugging through life as the world burns à la The Kooks, Edling wrestles with the emotional dissonance of Western life in a time of global upheaval, singing \"if this love is an event in my mind, and all this evil is an event in my mind, I must be out of mind.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1786697825\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Lame-O Records","offers":[{"title":"Default Title","offer_id":51230541742367,"sku":null,"price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1640088486_5.jpg?v=1758038782"},{"product_id":"joan-shelley-real-warmth-lp","title":"Joan Shelley - Real Warmth LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJoan Shelley follows her critically-acclaimed 2022 album The Spur with Real Warmth. Her 7th album, recorded in Toronto with producer Ben Whiteley (The Weather Station), the 13-tracks feature many guests from the city's fertile music scene (Tamara Lindenman, Doug Paisley). Shelley has toured the world with Richard Thompson, Patty Griffin, Wilco and others. She has played Lincoln Center, Newport Folk Festival, appeared on the covers of both Acoustic Guitar Magazine and Fretboard Journal and as a guest on WTF with Marc Maron and Fresh Air.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=1799733300\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"No Quarter Records","offers":[{"title":"Default Title","offer_id":51230553342239,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a1769257117_5.jpg?v=1758039042"},{"product_id":"wicca-phase-springs-eternal-mossy-oak-shadow-lp","title":"Wicca Phase Springs Eternal - Mossy Oak Shadow LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e**Ltd First Run Club Exclusive: Ponds Of Romance Vinyl\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIt's impossible to talk about Wicca Phase Springs Eternal without talking about transformation. For over a decade the singer, songwriter and producer Adam Andrzejewski has used the moniker as a wide creative umbrella, under which he's made a vast body of work that's as consistently compelling as it is constantly changing. This deft ability to blend sounds and styles has become his calling card, but no matter the genre signifiers-from rap beats, to new wave synths, to goth atmospherics-the beating heart of WPSE is Andrzejewski's singular voice and esoteric-yet-emotional lyricism. Those key elements have centered the project through musical explorations, and now on his latest full-length, Mossy Oak Shadow, Andrzejewski really puts them to the test. Shedding thumping 808s and intricate production in favor of a no-frills band and sparse live recording, the album is a stirring collection of hazy folk rock songs that prove Wicca Phase Springs Eternal can truly be anything.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I always kind of thought that as long as I have the Wicca Phase Springs Eternal name that I can do whatever I want,\" Andrzejewski explains. \"The name provides a framework for the lyrics and aesthetics of the project-my songwriting with a mystical overlay to it-and as long as I can make something work within that, then the genre doesn't totally matter.\" That daring creative mentality is what steered Andrzejewski when he first started the WPSE project, through his work as a co-founder of the influential GothBoiClique collective, or as member of Thraxxhouse and Misery Club, and even with his punk side project, Pay For Pain. Still, few could have guessed that the new proper Wicca Phase Springs Eternal release would be a set of country-leaning folk songs performed without a wink in sight. As with all things Wicca Phase, Mossy Oak Shadow finds Andrzejewski fully committed. \u003c\/span\u003e\u003cspan\u003eMossy Oak Shadow might seem like a drastic pivot for the Wicca Phase Springs Eternal fans who got on board through his beat-driven modern classic albums, like 2016's Secret Boy or 2018's Suffer On-but it shouldn't come as a total surprise. WPSE releases have always dabbled in stripped-down acoustic songs, and even further back there's Andrzejewski's earlier work as a member of emo\/indie stalwarts Tigers Jaw. When he left that band to focus on Wicca Phase in 2013, he was met with skepticism from listeners who were hesitant to embrace his new persona and experimental trap sound. Ironically now Andrzejewski has so thoroughly established Wicca Phase Springs Eternal that he's once again challenging his fans with a stark sonic shift-but this time by returning to the guitar-oriented songwriting he'd set aside. \"Dylan, Will Oldman, Richard Thompson-what I like most about those songwriters is that I'm able to trust them,\" Andrzejewski explains. \"If they do something that's totally strange I trust that they know what they're doing because it's coming from the same person that wrote all these other songs that I love. So even if it might take some time for me to get where they are, I want to try.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=4023374398\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Run For Cover Records","offers":[{"title":"Default Title","offer_id":51230637261087,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a3754325167_5.jpg?v=1758039259"},{"product_id":"kieran-hebden-william-tyler-41-longfield-street-late-80s-lp","title":"Kieran Hebden \u0026 William Tyler - 41 Longfield Street Late '80s LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe debut album from Kieran Hebden (Four Tet) and William Tyler, following their previous EP, Darkness, Darkness (2023). Recorded in Los Angeles and Nashville, USA. Produced and mixed by Kieran Hebden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2259988669\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Temporary Residence Ltd","offers":[{"title":"Default Title","offer_id":51230651449631,"sku":null,"price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a0022930114_5.jpg?v=1758041138"},{"product_id":"wilder-maker-the-streets-like-beds-still-warm-lp","title":"Wilder Maker - The Streets Like Beds Still Warm LP","description":"\u003cp\u003e\u003cstrong\u003eRELEASE DATE: 9\/19\/2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn band Wilder Maker's principal songwriter, Gabriel Birnbaum says that the group's latest full-length, The Streets Like Beds Still Warm follows \"an overall formal asymmetry, like dream logic.\" It is richly textured, moody, and deep and is as distinctly narrative as it is literally experimental. To call it a concept album, as big as that term is, would actually be to sell it short. It is, in fact, only the first part of a concept trilogy that tells the tale of one long night in the city, from dusk to dawn.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Streets Like Beds Still Warm follows a lonely narrator as he drifts down avenues and in and out of bars and hospital rooms. He thinks on big questions and bigger questions, gets into some trouble, worries about his sick father, grapples with rivals and competitors who could be his friends but are not; he orders cocktails, dreams he is a genius, thinks about God and fate and so on. The record closes out at around 1:15am, leaving the story to be continued. If this sounds a bit noirish, that's because it is. \"Film noir detectives always start out looking immaculate, but by the end of the film they have a torn collar, a black eye, their slacks are stained, and they've started slapping people around in desperation,\" Birnbaum says. \"Are they the good guy anymore? I find this fascinating and I love the visual cues reflecting the internal landscape.\" While there are no visual cues, per se, on The Streets Like Beds Still Warm, the record owes a great debut to cinematography. \u003c\/span\u003e\u003cspan\u003eImpressionistic swirls of effected guitar, drums, and saxophone support Birnbaum's husky and worldweary baritone croon which sometimes echoes Bill Fay. But at times, in all it's dim-lit barroom storytelling, one may think of Tom Waits. It's a comparison that threatens both to mislead and sell short, but it's difficult not to see things while listening to The Streets Like Beds Still Warm - perhaps a slowly swinging Tiffany lamp just above the narrator's head as he's a little more than half-drunk, scrawling a brilliantly poetic, antiheroic tale on a bar napkin. Be assured, though, this is not The Heart of Saturday Night and it's not In the Wee Small Hours. In fact, The Streets Like Beds Still Warm's musical precedents come from distinctly different corners of the musical universe. The band draws direct influence from the work of alt-jazz contemporaries Anna Butterss and Jeff Parker as well as ambient progenitor Brian Eno. One also hears echoes of Birnbaum's series of mellow and dreamy Nightwater records, quasi-ambient four-track experiments. But while those beautiful recordings were solitary affairs, The Streets Like Beds Still Warm is certainly not. \u003c\/span\u003e\u003cspan\u003eThe record builds on Birnbaum and band's years of experience as improvising musicians, often well outside of the sort of \"indie rock\" scene with which Wilder Maker may be associated. It is, as Birnbaum puts it, \"the inverse of the typical songwriter record.\" Ambling, rambling, and dreamy, these songs were culled from open-ended sessions. Wilder Maker has boasted an intact lineup for over a decade consisting of Adam Brisbin, Nick Jost, Sean Mullins, and Birnbaum, as well as perennial collaborator Katie Von Schleicher. This record showcases their interplay and musical conversation in a way that the more straightforward style of 2022's Male Models did not. To create The Streets Like Beds Still Warm, the group edited longer improvisations into more condensed pieces and then wrote over those pieces, \"turning them into songs.\" \u003c\/span\u003e\u003cspan\u003eJoseph Shabason, Macie Stewart, Chuck Johnson, Will Shore, Rebecca el-Saleh (Kitba), and Cole Kamen-Green all appear as well, each contributing to Wilder Maker's sound world for the first time. These stellar players' additions weave in and out of the greater conversation, drifting like crucial supporting characters, expanding and varying the record's perspective and enriching the palette of the improvisatory source material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=909868766\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Western Vinyl","offers":[{"title":"Default Title","offer_id":51231050957087,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2246696808_5.jpg?v=1758052412"},{"product_id":"loose-lips-last-laugh-lp","title":"Loose Lips - Last Laugh LP","description":"\u003cp\u003e\u003cspan\u003e\"Melbourne, Australia's \u003c\/span\u003e\u003cb\u003eLoose Lips\u003c\/b\u003e\u003cspan\u003e present their debut album \u003c\/span\u003e\u003ci\u003eLast Laugh\u003c\/i\u003e\u003cspan\u003e, proudly released by Dig! Records, and self-released by the band from their home base in Melbourne, Australia. The world may be ending, and you're not getting any younger, but rock'n'roll rings eternal, so they're letting it all hang out across ten unadulterated tracks of spirited revelry, plenty: young, loud and snotty. But also skilled, melodic and heartfelt. If you haven't yet heard the word, Loose Lips are \u003c\/span\u003e\u003cb\u003eJosh Hardy\u003c\/b\u003e\u003cspan\u003e (guitar\/ vocals; \u003c\/span\u003e\u003cb\u003ethe Chats\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ethe Unknowns\u003c\/b\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cb\u003eEthan Stahl\u003c\/b\u003e\u003cspan\u003e (bass\/ vocals; \u003c\/span\u003e\u003cb\u003eChubby and the Gang\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Prize\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eStreet Sweeper\u003c\/b\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cb\u003eNadine Muller\u003c\/b\u003e\u003cspan\u003e (drums\/ vocals; the Prize). The sum of their top-shelf pedigree, \u003c\/span\u003e\u003ci\u003eLast Laugh\u003c\/i\u003e\u003cspan\u003e, is a certified heater sure to rattle your jelly brain and jumpstart all your other fun parts. Forged from rock'n'roll incarnate, Josh and Nadine met on tour with their other bands, and bonded handedly over their love of '60s groups like \u003c\/span\u003e\u003cb\u003ethe Ronettes\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eThe Dave Clark 5\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003ethe Shangri-Las\u003c\/b\u003e\u003cspan\u003e, alongside their later counterparts: the \u003c\/span\u003e\u003cb\u003eNew York Dolls\u003c\/b\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cb\u003eEddie and the Hot Rods\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eBlondie\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003ci\u003eLast Laugh\u003c\/i\u003e\u003cspan\u003e is a DIY love letter sealed with a kiss; made by friends, for friends -- new, old and waiting in the wings.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=160898327\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dig! Records","offers":[{"title":"Default Title","offer_id":51290236879135,"sku":null,"price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2177138963_5.jpg?v=1760039669"},{"product_id":"the-prize-in-the-red-lp","title":"The Prize - In The Red LP","description":"\u003cp\u003eMelbourne’s fave three-guitar rock’n’roll power poppers The Prize have at long last announced the imminent release of their debut album In The Red on September 19 via Anti Fade Records in Australia and Goner Records in the USA.\u003c\/p\u003e\n\u003cp\u003eThe announcement and the new track follow the album’s previous two singles, “First Sight” which was released August 2023 ahead of their first European tour (with King Gizzard) and “Had it Made” which was released last October ahead of the band’s second European tour (with The Chats) late 2024.\u003c\/p\u003e\n\u003cp\u003eThe Prize made their debut for Anti Fade in 2022 with the EP Wrong Side Of Town which prompted global interest in the band. They began recording the album in 2023 but the international tours caused delays, as did the departure of original bass player Jack Kong in early 2024. New bass player Ethan Stahl (formerly of UK band Chubby and the Gang) came on board a year ago after Kong helped the band finish the tracking process. Initial album sessions took place with Paul Maybury of Rocket Science at his A Secret Location studio, with subsequent tracks recorded with Matt Blach of the Murlocs at Gizz Studios (following The Prize’s European run with King Gizzard late in 2023) and, in January of this year, with Robin Mukerjee of TV Colours.\u003c\/p\u003e\n\u003cp\u003eThe band, which features drummer Nadine Muller sharing lead vocals with guitarist Carey Paterson together with guitarists Joseph Imfeld and Austin Haire as well as new bass player Stahl, is known for its powerful three-guitar frontline and melodic twin lead guitar. It combines punk and classic hard rock with power pop and new wave and cites its influences as Thin Lizzy, Cheap Trick, Pretenders, Blondie, Rolling Stones, Faces, Flamin’ Groovies, Tom Petty, Dwight Twilley, Phil Seymour, The Toms, The Nerves and The Motors.\u003c\/p\u003e\n\u003cp\u003eAs a premium live act with the tunes to back it up, The Prize have regularly found themselves playing with legendary groups like the Sunnyboys, Pavement, The Stems and Guitar Wolf in addition to their pals in King Gizzard and the Lizard Wizard, The Murlocs and The Chats. Band members have recently started spreading themselves out into other bands as well, with Muller and Stahl joining Josh Hardy of The Chats and The Unknowns in Loose Lips, Imfeld in The States and Haire in The Judges and his own solo venture, Ozzie Hair.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/track=2548722660\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":51378048434463,"sku":null,"price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/files\/a2829641630_5.jpg?v=1762983782"}],"url":"https:\/\/www.bullcityrecords.com\/collections\/friday-september-19th.oembed","provider":"Chaz's Bull City Records","version":"1.0","type":"link"}