{"title":"10\/19\/18 New Releases","description":"","products":[{"product_id":"mythic-sunship-another-shape-of-psychedelic-music-2lp","title":"Mythic Sunship - Another Shape Of Psychedelic Music 2LP","description":"\u003cp\u003e\u003cspan\u003eDouble LP version. \u003c\/span\u003e\u003cb\u003eMythic Sunship\u003c\/b\u003e\u003cspan\u003e's sound has been described as \"the ethos of free jazz in a doom setting\". On \u003c\/span\u003e\u003ci\u003eAnother Shape Of Psychedelic Music\u003c\/i\u003e\u003cspan\u003e, recorded and mixed in the studio of \u003c\/span\u003e\u003cb\u003eCausa Sui\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003cb\u003eJonas Munk\u003c\/b\u003e\u003cspan\u003e, the band goes even further and lets saxophone burn into the mix. It's a wildfire of ideas that travel far on a smoky haze of cosmic krautrock, stoner, doom, heavy psych, modal jazz and even drifts into Afrobeat. Jonas Munk joins these live sessions on guitar on a few tracks as well, making up a screaming cacophony of three guitars, bass, drums, and saxophone. Aptly titled \u003c\/span\u003e\u003ci\u003eAnother Shape Of Psychedelic Music\u003c\/i\u003e\u003cspan\u003e, this is just not a record of psychedelic music; it's also an album about psychedelic music. The very fabric of psych music seems to materialize in all its shapes and sizes and then vaporize right in front of your ears as the album burns further towards the final groove. Few bands would be able to pull this off, but Mythic Sunship maintain a down-to-earth melted vibe, even at their most ferocious. Making this album good both for zoning out as well as for pure rock catharsis. Groovy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L-WWEJG1ofo\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"El Paraiso Records (Denmark)","offers":[{"title":"Default Title","offer_id":13531180662846,"sku":null,"price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/anothershapeof.jpg?v=1539314896"},{"product_id":"will-oldham-songs-of-love-and-horror-lp","title":"Will Oldham - Songs of Love and Horror LP","description":"\u003cp\u003e\u003cspan\u003eFall of 2018 sees the release of a celebrated lyrics archive that has been growing for over 25 years — the words to the songs sung by Bonnie ‘Prince’ Billy and Palace Music. The author of the songs is Will Oldham, and the book, to be released by W.W. Norton, is titled Songs of Love and Horror, the same as this album. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe songs of Will Oldham have been written most often for the aliases of Palace or Bonny. Their identities, kept necessarily separate from Will’s, has allowed them to bring to the stage the reach needed to project to everyone in the room, to everyone outside the room, to whomever chose to make the audience. The songs were written to create a singular encounter, to be shared among those who choose to listen. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSongs of Love and Horror is a rare entry in this oeuvre: a Will Oldham album, with the writer taking a turn as singer. As befits the nature of this project, the songs are sung and played by Will alone, in a setting enjoyed by fans of his music — that of one voice and one guitar, the better to savor the spare changes and starkly-cut lyrics, operating in quiet tension and ultimate collaboration. Will brings to the songs all that he has learned from his stagecrafting fellows over the years, singing new versions that quiver like fresh young things in the air of today. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe world keeps on turning, and as it does, it ruthlessly turns away from ages of creation, heaving toward new creations as they come along. In this sense, nothing on the planet is getting any younger, but as it revolves, it becomes continuously newer. Songs of Love and Horror celebrates not one legacy, but rather a confluence of them, flowing in the stream towards an unknown and often unknowing future, with the hope that these notes in a bottle ever pass on through.\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":13542952632382,"sku":null,"price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/songsofloveandhorror.jpg?v=1539879976"},{"product_id":"cave-allways-lp","title":"Cave - Allways LP","description":"\u003cp\u003e\u003cspan\u003eCAVE digs driving down into a pulse and staying there for as much of FOREVER as they can (though it's really only a single blissed glance into the infinite), playing rock-based music in a way that pushes the forward from everything they've experienced - Miles, psych, beats, exotica, library music, rock, punk, the Germans, the New York guys too, minimalists, the Dead, India, everywhere - producing space, groove and rock, trippy and dancey, flying together. This is CAVE, Allways.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4152007055\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3600181180\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/cave.bandcamp.com\/album\/allways\"\u003eAllways by Cave\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":13542954958910,"sku":null,"price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/ALLWAYS.jpg?v=1539880152"},{"product_id":"buxton-stay-out-late-lp","title":"Buxton - Stay Out Late LP","description":"\u003cp\u003e\u003cspan\u003eStay Out Late is ultimately, the end result of understanding who we are, and more importantly, who we are not.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis will be our 15th year as a band, and our 5th record overall. In the years preceding the making of this record, we all had to define what it meant for us to be happy making music. There are certain mechanisms and tropes we all fall into as a result. And as hard as we may try to emulate what we consider to be higher art, or rather, classic music; we always end up with a Buxton record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSergio couldn't write for almost 2 years after 'Half A Native'. The answers to \"why\" had run dry. We all saw each other, hung out and everything was like normal. I can't really pinpoint the moment it all made sense again. The question had suddenly changed to \"why not\" and we were back in the studio making demos. There was a lurking sense that nobody would ever hear these songs, and that lead to a sort of creativity I'm not sure we'd really experienced before. All ideas were on the table, and more importantly they stayed on the table. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere are a handful of truly great masterpieces and the attempt of achieving that is one of the most daunting and exhausting pursuits any artist can take on. In the van we're constantly educating ourselves and finding new and in many cases old points of inspiration. Whether it be Mark Hollis, HC McEntire, Mickey Newbury or rediscovering the genius of Bette Midler, we find ourselves at the mercy of our own limitations of expression. Yet somehow in our most vulnerable project, we're simultaneously the most comfortable in our skin as we've ever been. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe core of this record is about being in it for the long haul, looking back, and being able to accept it all. We can only hope that the listener can in some way share and make tangible the joy that went into making this record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1237566303\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=2492701297\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/buxtonmusic.bandcamp.com\/album\/stay-out-late\"\u003eStay Out Late by Buxton\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":13542957482046,"sku":null,"price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/stayoutlate.jpg?v=1539880358"},{"product_id":"dead-rider-trio-featuring-mr-paul-williams-dead-rider-trio-featuring-mr-paul-williams-lp","title":"Dead Rider Trio Featuring Mr. Paul Williams - Dead Rider Trio Featuring Mr. Paul Williams LP","description":"\u003cp\u003e\u003cspan\u003eWhipped up by the tour dates for Crew Licks, Dead Rider were feeling hot enough to jam, and just let the tape roll! Enter the intrepid Mr. Paul Williams. An occasional producer of films and art, but also a wild card, a madman and a beautiful mind, he intoned over top of Dead Rider's thick jams, making an hallucinatory exquisite corpse pile-up, dipped in corrosive and absinthe and still steaming from the bath!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=402556529\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3099396451\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/deadrider.bandcamp.com\/album\/dead-rider-trio-featuring-mr-paul-williams\"\u003eDead Rider Trio featuring Mr. Paul Williams by Dead Rider\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":13542965182526,"sku":null,"price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/deadridertriofeaturing.jpg?v=1539880946"},{"product_id":"human-people-butterflies-drink-turtle-tears-lp","title":"Human People - Butterflies Drink Turtle Tears LP","description":"\u003cp\u003e\u003cspan\u003eOn their debut album on Exploding In Sound Records, Butterflies Drink Turtle Tears, Human People offer their brightest hooks and tightest arrangements to date. But for an album so sonically confident, its lyrical sensibility has a distinct interiority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657178450\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3524566498\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/explodinginsoundrecords.bandcamp.com\/album\/butterflies-drink-turtle-tears\"\u003eButterflies Drink Turtle Tears by Human People\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Exploding In Sound Records","offers":[{"title":"Default Title","offer_id":13542982778942,"sku":null,"price":17.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/butterfliesdrink.jpg?v=1539881721"},{"product_id":"hunters-chorus-old-growler-lp","title":"Hunters Chorus - Old Growler LP","description":"\u003cp\u003e\u003cspan\u003eThe debut instrumental rock album by guitarist\/ composer Ramon Fermin (Sun Kil Moon, Magik*Magik Orchestra, Ignition Duo, San Francisco Guitar Quartet).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll songs on Old Growler were composed and arranged by Ramon, who also performed all guitars and bass. Drums by Haig Shirinian. Recorded by Jack Shirley (Deafheaven) at the Atomic Garden recording studio in East Palo Alto, California.\u003c\/span\u003e\u003c\/p\u003e","brand":"Caldo Verde","offers":[{"title":"Default Title","offer_id":13542984351806,"sku":null,"price":17.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/oldgrowler.jpg?v=1539881865"},{"product_id":"susie-ibarra-perception-lp","title":"Susie Ibarra - Perception LP","description":"\u003cspan\u003eSusie Ibarra is one of the most significant female percussionists and composers of our time, known for her work as a performer within contemporary, avant-garde, jazz, classical, and world music, having worked with the likes of John Zorn, Yo La Tengo, Mamadou Kelly, Marc Ribot, and many more. Perception, self-released in December 2017 and now being distributed through Thrill Jockey, is a beautiful piece of art, layering sound and centered around the way one perceives the world around them, and how this dictates one's reality. Ibarra also released an album earlier this year on Thrill Jockey, Flower of Sulphur, with multi-instrumentalist YoshimiO (Boredoms, OOIOO, SAICOBAB) and artist Robert Aiki Aubrey Lowe (Lichens, OM).\u003c\/span\u003e","brand":"Thrill Jockey Records","offers":[{"title":"Default Title","offer_id":13542986285118,"sku":null,"price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/perception.jpg?v=1539882025"},{"product_id":"kiki-pau-hiisi-lp","title":"Kiki Pau - Hiisi LP","description":"\u003cp\u003e\u003cspan\u003eSince creating their 2013 masterpiece, \"Pines,\" Kiki Pau has been in semi-hiatus mode for the past five years; but they did spend the last two summers laying down the magic that is their latest offering, Hiisi. Hiisi is an old Finnish word originally denoting a sacred grove, place of worship, cemetery and, later on, various types of mythological localities. Later Christianity-influenced folklore depicted hiisi as evil gnomes, spirits, or other demonic trickster-like entities. The band says: \"The album is like a spontaneous mystical experience whilst getting lost on a camping trip in the woods, shedding light into the dusty dark corners of our (s)elves and finding a way back, perhaps a bit sore but more complete. Hiisi is built from four long and winding compositions, which take their cues from folk, jazz, progressive rock, Krautrock and free improv...with jazzy melodies, spastic fuzzy jamming and bucolic birdsong. 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His skill in the studio has helped him build-up an enviable resume recording, producing and playing with artists including Luna, Beach House, Cass McCombs, Dean Wareham\/Dean \u0026amp; Britta and Slumberland's own The Mantles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePapercuts' new album \"Parallel Universe Blues\" reflects Quever's recent move from long-time musical home San Francisco to Los Angeles and all of the searching and self-exploration that accompanies leaving your home, your friends and your scene. The sound is intimate and close, nicely balancing the sonic concerns of the last few Papercuts records. The opening pair of songs \"Mattress On The Floor\" and Laughing Man\" superbly sets the table for the rest of the album: perfect Spectorian pop songs echoed down through The Velvet Underground, LA's Paisley Underground, Spiritualized and The Jesus and Mary Chain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"How To Quit Smoking\" is a wry bit of self-examination, fueled by some gorgeous guitar melodies and a terrific chorus. \"Sing To Me Candy\" amps up the fuzz - distant peels of feedback blending into tape loops to create a Opal-esque atmosphere. \"Clean Living\" is another \"jab at self improvement and who it's really for\" that could fit right on on Nico's \"Chelsea Girl.\" \"All Along St Mary's\" is an epic breakup song that would be right at home on The Jesus And Mary Chain's \"Darklands\" - ideal late night\/rainy day vibes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNever sacrificing song-writing for atmospherics, \"Parallel Universe Blues\" is a superb addition to the Papercuts catalog. 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Vulgar (guitar\/vocals) made it in six months in spring 2018 with Jeff Giant (bass) and Blake “Bovver” Hill (drums), two guys who’ve been the beating about-to-burst heart of the Organism for about three albums now, including one for Third Man and one for In The Red. “I’ve been on almost every single underground garage punk label there is,” says T.V. proudly, and now he’s the fresh meat on Burger. But when you hear a Timmy Vulgar record, you will know it’s a Timmy Vulgar record and nobody else’s record, and Survival of the Fiendish is an extremely Timmy Vulgar record. Even more Vulgar! It’s as Vulgar as Vulgar gets. Sure, make connections: “Guzzle Gasoline” is like Raw Power-ed freak rock; “God of Comedy” is like Destroy All Monsters on a solo Roky nightmare trip; “Bitter Pill” is like one of those Cleveland 197X tearjerkers—Rocket From The Tombs, Dead Boys, ain’t it fun?—about losing your mind to and “Wall Of Grey” is post-apocalypse proto-punk just like Chrome and Mick Farren knew would come true. It’s been almost twenty years and Timmy Vulgar is still the king of hard-to-make (and harder to fake) rock ‘n’ freak ‘n’ roll made from black light and white heat. He’s been covered in bloodstains, killed by death, ripped from the crypt and sent back from the grave. He worked long and hard to get you this music. He went out into the dark and brought back fire. 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Founded by songwriter Sonia Sturino, drummer Cam Jones, and bassist Annie Hoffman in 2013, the trio is a low pressure outlet for volatile music. Recorded by Hoffman and perfected over the last year, the songs broadcast heavy feelings amid screech and feedback with little more than a distortion pedal the clog up the signal chain. The album also features guest shredding by peer and kindred spirit J Mascis (on the song Hate Mail). Common Blah will be out via Don Giovanni Records on October 19th.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215551750\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=642704992\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/weakenedfriends.bandcamp.com\/album\/common-blah\"\u003eCommon Blah by Weakened Friends\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Don Giovanni Records","offers":[{"title":"Default Title","offer_id":13543015972926,"sku":null,"price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/commonblah.jpg?v=1539883364"},{"product_id":"john-carpenter-cody-carpenter-and-daniel-davies-halloween-ost-lp","title":"John Carpenter, Cody Carpenter, and Daniel Davies - Halloween OST LP","description":"\u003cp\u003e\u003cspan\u003eWhen the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5\/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=323552474\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=734994428\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/johncarpentermusic.bandcamp.com\/album\/halloween-original-motion-picture-soundtrack\"\u003eHalloween: Original Motion Picture Soundtrack by John Carpenter, Cody Carpenter, and Daniel Davies\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":13543540064318,"sku":null,"price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/halloweencarpenter.jpg?v=1539918101"},{"product_id":"cloud-nothings-last-building-burning-lp","title":"Cloud Nothings - Last Building Burning LP","description":"\u003cp\u003e\u003cspan\u003e“I wrote this because I feel like there aren’t too many rock bands doing this right now,” says frontman Dylan Baldi. “A lot of the popular bands with guitars are light. They sound good, but it’s missing the heaviness I like.” \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRight now, indie rock is centered around controlled solos instead of unpredictability, tight chords instead of jagged riffs, clean tones instead of rough edges. That much is evident by the comparisons thrown at Cloud Nothings, all touchstones from the past: the Wipers, Drive Like Jehu, Sunny Day Real Estate, Nirvana. The Cleveland four-piece want to keep doing this, to be a band that continues the evolution of barbed, rapid-fire, energetic rock without ever trying to replicate those artists, if it means this current era can have benchmark artists of their own. With \"Last Building Burning,\" their fifth full-length studio album, Cloud Nothings become the torchbearers they want to see in the world. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Last Building Burning\" is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Baldi describes as “technically minded without relying on technology to perfect the live\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esound.”\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1528523301\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=1408909369\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/cloudnothings.bandcamp.com\/album\/last-building-burning\"\u003eLast Building Burning by Cloud Nothings\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Carpark Records","offers":[{"title":"Default Title","offer_id":13543542063166,"sku":null,"price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/lastbuildingburning.jpg?v=1539918320"},{"product_id":"farao-pure-o-lp","title":"Farao - Pure-O LP","description":"\u003cp\u003e\u003cspan\u003ePure-O, the new LP by Berlin-via-Norway musician Farao, is a prog-pop exposition on the curious dichotomy between beauty and destructiveness in sex and relationships. Where so much modern pop attempts to tug similar thematic threads only to succumb to naiveté and euphemism, Farao grabs these subjects and dives headlong into a neon pool of synthesizer, zither, drums, and soaring vocals without sacrificing maturity, complexity, or artistry. Musically, she references 90’s R\u0026amp;B, and the untapped goldmine of Soviet disco. But the most important pillar of Pure-O – its living, breathing, biological quality-- is entirely Farao’s own. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo be sure, all of the electronic ingredients are in the exact right places on Pure-O. Soviet-made synth tones ripple out from an undefined center like a Frank Stella painting, with sharply angled lines of color buzzing with concentric, hand-painted ecstasy. Rolling vocal melodies carry descriptive turns of phrase to gratifying heights, echoing in listeners’ minds long after their ears. In the spaces between all this electricity, there are shimmering microcosms of Alice Coltrane-esque acoustics that provide the album with an unmistakably rich, tactile marrow. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2603490476\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=2579668068\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/farao.bandcamp.com\/album\/pure-o\"\u003ePure-O by Farao\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Western Vinyl","offers":[{"title":"Default Title","offer_id":13543543930942,"sku":null,"price":17.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1575\/8523\/products\/pureofarao.jpg?v=1539918483"},{"product_id":"geotic-traversa-lp","title":"Geotic - Traversa LP","description":"\u003cp\u003e\u003cspan\u003eYou don’t need tedious platitudes about the transportative nature of music, but every so often—a few times a year at most—an album lives up to the possibility of effortless flight. Geotic’s Traversa is just that, an eight-song atlas that spans from the lightly buried memories in the back of your brain to the distant corners of this languidly spinning sphere. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“The whole inspiration of this record is borne of that feeling when travel is good and you can let your brain go where it wants to,” says Will Wiesenfeld, the Los Angeles composer and singer also known as Baths. “From the very beginning, music was more transportive for me than anything else. In all forms of media, I’m constantly gravitating towards things that allow me to feel something different from my day-to-day life.” \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach song on Traversa contains propulsive suites of startling beauty, summoning a different geographic locale, memory and mood. 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